Reportage

Posts Tagged ‘Photographs’

Student’s Work From Kathmandu 2011

In Kathmandu, Workshop in Motion, Workshop News on April 1, 2017 at 7:04 AM

                                                                                                  © Photograph by Kevin Cooper

This video highlights the compelling photographs authored by participants’ who took part in our last Kathmandu Workshop, July 11-16, 2011.

View video here:

The participants who took part and whose work appears on this video include:

Susie Hagon
Narendra Mainali
Kevin Cooper
Bikash
Cim Sears
Kelly Mac
Nadia Janis
Kellie Lefranchi
Matt Dole
Kate Walton

What can you do?

Our upcoming workshop in Kathmandu is:  August 28th – September 1st, 2017 .

Join us for an unforgettable experience!

For further information please contact:

Stephen Dupont stephendupont1@mac.com  and/or Jack Picone jackvpicone@gmail.com

To register contact Jack Picone
jack@jackpicone.comjackvpicone@gmail.com

Music Credit: Clap Hands from Rain Dogs by Tom Waits

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Kathmandu September 3rd-7th, 2017

In Workshop News on March 9, 2017 at 2:26 AM

KATHMANDU

September 3rd-7th 

2017

                                                                                                      © Photograph by Jack Picone

Reportage Photography Workshops will hold its second roving workshop in Kathmandu. Kathmandu is one of the world’s most atmospheric cities. Even as urban chaos encroaches, this “city at the top of the world” retains its unique aura of magic, mysticism, and tradition. Over the last decade its roughly one million inhabitants, who are squeezed tightly into the Kathmandu Valley, have also been experiencing a period of major social and political turmoil – from a fierce Maoist insurgency, government curfews, and censorship to mass demonstrations against royal rule and killings of protesters. Democracy was restored in 2006 amid jubilation, and the Maoists have since joined an interim government. Today, many Nepalis believe their country has entered a new era of hope and peace.

What the Travel Guides say:

“Draped along the spine of the Himalaya, Nepal is a land of sublime scenery, time-worn temples, and some of the best hiking trails on earth. It’s a poor country, but it is rich in scenic splendor and cultural treasures. The kingdom has long exerted a pull on the Western imagination. Kathmandu is really two cities: a fabled capital of convivial pilgrims and carved rose-brick temples, and a frenetic sprawl of modern towers, mobbed by beggars and monkeys and smothered in diesel fumes. It simultaneously reeks of history and the encroaching wear and tear of the modern world.” – Lonely Planet

Workshop Overview: Award-winning documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, the acclaimed photojournalist, and filmmaker. Both Stephen and Jack will be there to critique and edit participants’ work one-to-one, and also take part in evening projections and discussions.

An introductory get-together will be held on the evening before the workshop’s formal start. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced before the workshop to give you time to research possible subjects before you arrive.)

The aim is to produce a documentary photo essay with a striking visual narrative, to be shown on the final evening of the workshop. Tutors will hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your personal style. The workshop is very project based as opposed to technically driven.

The workshop’s schedule will be demanding but highly rewarding. Tutors and field assistants will be on hand constantly to help navigate any areas of difficulty and discuss all your photographic concerns. Interpreters can also be arranged where necessary.

Traditional Photo Essay and Multimedia: During the workshop participants will have an option to produce a completed photo essay within the documentary tradition or in a more contemporary context, a multimedia. In both cases, tutors will be on hand to guide you through the respective process.

Application: The workshop is strictly limited to 12 participants. A $500 deposit will be required at the time of booking to secure a place. This is one of our most popular workshops, so book early to avoid disappointment.

Cost: US$1,950 includes all workshops sessions. Workshop cost does not include travel costs to Kathmandu and accommodation.

To receive further information or to request a registration form, please contact: Jack Picone: jackvpicone@gmail.com or Stephen Dupont: stephendupont1@me.com

 

Links:

Jack Picone

http://www.jackpicone.com

Stephen Dupont

http://www.contactpressimages.com/photographers/dupont/dupont_bio.html

 

Siem Reap (Angkor) Workshop April 10th – 14th 2017

In Ethics, Workshop in Motion, Workshop News on January 20, 2017 at 3:30 PM

Siem Reap (Angkor) 

April 10th – 14th

Angkor Wat-faces of Bayon.

        Angkor Wat. Faces of Bayon.                                                  © Photograph by Jack Picone

Reportage Photography Workshops will hold its next roving workshop in Siem Reap, Cambodia’s fastest growing town and the jumping off point for the spectacular temple ruins of Angkor. With a maximum of 12 participants, the 5-day event will provide an opportunity to explore the cultural riches and social dynamism of this exotic corner of the world.

Award-winning documentary photographer and Reportage workshop founder Jack Picone (and  guest tutor to be announced)  will lead the workshop. Jack and will be there to critique and edit participants’ work one-on-one, and also take part in evening projections and discussions.

With the world’s most breathtaking ancient ruins on its doorstep, Siem Reap and surrounding areas offer endless photographic possibilities. The town itself has gone from backwater to boomtown in the space of a decade, and traditional Khmer culture coexists with the emergence of a new, hip generation of Cambodians. As well as the vast temple complex of Angkor, nearby are floating villages with traditional stilted houses, the rural beauty of Tonle Sap Lake and the flooded forest of Komplong Phhluk.

A young Muslim woman in the villiage of Loveathon. Oxfam has helped enhance the life of local residents in Loveathon like this young woman by providing fishing nets water fliters and mosquito nets.

                                                                                                               © Photograph by Jack Picone

An introductory get-together will be held on the evening of Sunday, April 9th before the workshop’s formal start on the morning of Monday, April 10th. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced prior to the workshop to give you time to research possible subjects before you arrive.) The aim is to produce a documentary photo essay with a striking visual narrative, to be shown on the final evening, Friday, April 14th.

Tutors will hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, advanced camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your personal style.

The workshop’s schedule will be demanding but highly rewarding. Tutors and field assistants will be on hand constantly to help navigate any areas of difficulty and discuss all your photographic concerns.

Cost: US$ 1,950. Includes all workshop sessions. Workshop cost does not include travel costs to Siem Reap and accommodation.

Application: The workshop is strictly limited to 12 participants. A $500 deposit will be required at the time of booking to secure a place.

Please Note: We advise that all participants take out medical/travel insurance for the Siem Reap workshop. To receive further information or to request a registration form, please contact: jack@jackpicone.com

Links: Jack Picone: http://www.jackpicone.com 

One to One Tuition 10% discount (between 1st – 31st March, 2017 only)

In Workshop News on December 4, 2016 at 2:21 AM

One to One Tuition

10% discount (between 1st – 31st March 2017).

JP_SandyEdwards-LR_0

One – to – one participant Sandy Edwards during her tuition in Bangkok © Photograph by Jack Picone.     

“Thank you for a wonderful, informative, learning, fun, Buddhist, photography week in Bangkok”.

~ Sandy Edwards

Join Jack Picone for one – to – one photography tuition designed to address your photographic needs! It will be an extraordinary experience!

What I teach you can’t be found on YouTube!

Tuition Costs  $US445 per day & $US335 per half day

What I teach can’t be found on YouTube

With discount: Now $US400.50 and US$301.50

 

*Discounts apply for couples and groups and for sessions five days and longer.

*Concerning cost: Cost is below my day and half day rates that I bill editorial clients as a professional photographer. I have been working in excess of thirty years as a professional photographer for the world’s leading media publications. I have a Masters in Visual Arts and  a Ph.D. in Documentary Photography.  What I impart during one-to-one tutorials cannot be found on a YouTube video. What you take away is; knowledge that you will be able to apply over and over again to your own photography, elevating the aesthetic of your authored images – hyperbolically. 

Reportage Photography Workshops tutor Jack Picone delivers one-on-one tuition to individuals and groups (up to four) in Thailand and neighboring Asian countries. One-to-one tuition is for people who are interested in fast-tracking their photographic skill and vision.

Tuition can be individually structured to accommodate photographers learning requirements.

Jack is a working photojournalist and documentary photographer with extensive experience as a photography educator.

jackpicone-one-to-one-lr-1

(Above and below) One-to-one participants at work in Bangkok’s urban slum area, Khlong Toei.

jackpicone_one-to-one_-2

Includes

On location shooting instruction, intensive post-shooting editing, critiquing, sequencing and basic Photoshop.

When?  

On a rolling basis 2016-2017. Book early to secure your ideal dates.

jackpicone-jeffjue-1

(Above) Jeffrey Jue with local Nepalese photographer Sailendra Kharel, during a one – to – one tutorial in Kathmandu in Nepal.

Contact

To receive further information about one – to – one tuition or to request a registration form, please contact: jack@jackpicone.com 

Links:

Jack Picone

http://www.jackpicone.com/

Please Note: We advise that all participants take out medical/travel insurance for travel to Asia.

 

A Near Perfect Encapsulation For What a ‘Good Picture’ Should Do.

In Ethics on November 5, 2016 at 12:19 PM

“If it makes you laugh, if it makes you cry, if it rips out your heart, that’s a good picture” ~ Eddie Adams

news_podcast_pulitzer_1969-e1431460840302

Gen. Nguyen Ngoc Loan (above), chief of the South Vietnamese national police, firing his pistol into the head of a Vietcong prisoner, Nguyen Van Lem, on a Saigon street during the Tet offensive on Feb. 1, 1968. (Eddie Adams/Associated Press)

PHOTOGRAPHER, ASSOCIATED PRESS

A combat photographer since the Korean War, Eddie Adams joined the Associated Press team in Vietnam in 1965. He became famous for his 1968 photograph of Gen. Nguyen Ngoc Loan, chief of South Vietnam’s national police, shooting a Viet Cong prisoner in the head. Adams later regretted the picture’s notoriety, preferring to be remembered for his images of Vietnamese refugees after the war.

Adams’s time covering the war and the searing photograph above marks fifty years since the start of America’s first televised war and is symbolic of how dramatic stories authored by photojournalists and journalists brought news about the war to the rest of the world.

In-Print | A Small Selection Of Magazine Tear Sheets

In Photography News on April 4, 2016 at 3:29 AM

The interaction between photographer and designer is an often fractious one. Competing agendas can ensue. Some designers view photographs as creative visual building blocks that are merely part of an end design.
Most photographers view their authored images as sacrosanct. They strongly object to their photographs being altered – in any way – to fit a preordained design.
Sparks can fly!
Below are several examples of where a confluence of design and photography have found a creative and aesthetic balance.

 

JackPicone_LE'Xpress_Mag_Web-0                                                                    • L’Express Magazine, France.

 

 
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                                • L’Express Magazine, France.

 

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                               • Dynasty Magazine, China.

JackPicone_GOODWEEKEND--MAG-SPREAD_-21                          • Good Weekend Magazine, Australia.

JackPicone_Magazine_Spreads_-Dhows_Web-6

JackPicone_Magazine_Spreads_CondeNastTraveller_Web-5 copy

                        • (Above and below) The Financial Review Magazine, Australia.

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JackPicone_Magazine_Spreads_CondeNastTraveller_Web_2

                                       • The Financial Review Magazine, Australia.

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JackPicone_Magazine_ForeignPolicy_Web-20

                        • Above (2x) Foreign Policy Magazine, USA.

JackPicone_Magazine-Independent-Web-10

                       • The Saturday Independent Magazine, UK.

JackPicone_Magazine-Spread-Independent-Web-27

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JackPicone_MARE-MAG-Web_-3

JackPicone_MARE-MAG-Web_-8

                                       • (Above 3x) Mare Magazine, Germany.

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                       • Marie Claire Magazine, Australia.

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                                       • The Independent On Sunday Magazine, UK.

JackPicone_TIME-MAG-Web_1

JackPicone_TIME-MAGAZINE-COVER_Web-1 JackPicone-TimeMag_Web_1

                                               • (Above 3x) TIME Magazine.

JackPicone_TIME-MAGAZINE-_Web-3

                                                              TIME Magazine.

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Screen Shot 2016-04-02 at 12.57.48 AM

                                       • (Above 2x) ‘COLORS’ Magazine

JackPicone_Magazine_Spreads_L'Express_1

                        • L’Express Magazine, France.

JackPicone_KULTUR-MAG-Web_-1

                                         • Kultur Magazine, Germany.

JackPicone-RWANDA_OBSERVER-MAG_1

                                        • The Observer Magazine, UK.

JackPicone_Magazine_Spreads-Tempo_Rwanda-Web-2

JackPicone_Magazine_Spread_Rwanda-Web_1

                                        • (Above 2x) TEMPO Magazine, Germany.

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                                       • Al Jazeera Magazine, Qatar.

JackPicone_HQ-MAG-SPREAD_Web-4

                       • HQ Magazine, Australia.

JACKPICONE_AJMAGAZINE_WEB_15 copy

                                       • Al Jazeera Magazine, Qatar.

JackPicone_Magazine_Spreads_'TIME-Mag._4

                                                                                        • TIME Magazine.

JackPicone_WORLDVIEW-MAG-Web_-5

                                                                                        • Worldview Magazine, USA.

Reinterpretation

In Random Moments on February 27, 2016 at 4:35 AM

Interesting to see one of my iconic photographs [Novice Monks, Golden Horse Monastery] in a copy artists shop in central Bangkok being reinterpreted as a painting.

It is unfinished, and the artist was nowhere to be found. As a photographer, it is odd to see one of your photographs morphing into another medium. Odd — good — so far.

I am curious to enter into a dialogue with the artist and intrigued to see what it will look like when finished.

Exciting.

JackPicone_GHM_Painting-1                                                                                                            Photograph by © Jack Picone                       

        Above, work-in-progress painting of “Novice Monks, Golden Horse Monastery”.

 

 

Thai/Burma Border                                                                                                            Photograph by © Jack Picone   

        Above, the original black and white photograph made on the Thai-Burma border.

Random Street Portrait

In Random Moments on February 7, 2016 at 5:08 AM
JackPicone_Eyes-Head-LR-1

                                                                                         Photograph by © Jack Picone


The people you see on the way back from the launderette.‘You Need Eyes In The Back Of Your Head’.

Last Call for Cuba

In Photography News, Street Photography, Workshop News on September 4, 2015 at 12:03 PM

Havana, Cuba Workshop: Dec 6th – 11th, 2015

Last chance, to register for our Havana, Cuba Workshop!

Deadline for registration is Monday, Sept. 14th.unnamed               © Photograph by Stephen Dupont

 

Don’t miss this special opportunity to join us in Havana before it all changes. This is the last opportunity to document and experience Cuba before it transitions into modernity.

Secure a place with a  US$500 deposit.

We will fast track your photography authorship to a higher aesthetic.

Documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, acclaimed photojournalist and artist. Both Stephen and Jack will critique and edit participants’ work one-on-one, and also take part in evening projections and discussions.

An introductory get-together will be held on the evening prior to the workshop’s formal start in Havana. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced prior to the workshop to give you time to research possible subjects before you arrive.) The aim is to produce a documentary photo essay with a striking visual narrative, to be shown on the final evening of the workshop.

Cost: US$2,650. Includes all workshop sessions. Workshop cost does not include travel costs to Cuba and accommodation. A US$500 (non-refundable secures a place on the workshop) with the balance to be paid no less then one month before the workshop starting date.

Application: Our workshops are strictly limited to 15 participants. Havana is a very popular workshop destination, so please do book early to avoid disappointment.

To receive further information about Havana or to request a registration form, please contact: jack@jackpicone.com and/or stephendupont@bigpond.com

Links:

Jack Picone

http://www.jackpicone.com/

Stephen Dupont

http://www.stephendupont.com/

Please Note: We advise that all participants take out medical/travel insurance for the Cuba workshop. Also, due to unforeseen circumstances workshop dates can be subject to change. However, this is rare.

 

Boko Haram – Kidnappers

In Ethics, Photography News on May 9, 2014 at 1:11 PM

Boko Haram 

Boko_Haram_leader__Abubakar_Shekau_916127537(Above) Leader of Boko Haram, Abubakar Shekau, gloatingly threatening to sell the girls as “slaves”.
 
Despairingly, when you ask yourself quietly can the world get any more screwed up then it already is, then something like Boko Haram confirms – that indeed it can.
Boko Haram is holding 276 girls from a raid on a school in Chibok on 15 April and a further eight, aged between eight and 15, taken in an overnight raid from their village.
Boko Haram literal translation is – Western learning is forbidden – it is a is a Nigerian Islamist militant group made up of dispersed cells and factions mainly in the northeast of the country. There main objective to make northern Nigeria an Islamic state. What this has to do with kidnapping innocent young school girls we may never really now. Drum roll…….dut da da dut.. da da… meet (see attached pix + video) the clearly charismatic, urbane, erudite and visionary leader of Boko Haram, Abubakar Shekau, gloatingly threatening to sell the girls as “slaves”.
What a fine specimen of manhood – a luminary. I despair.
View in full deranged rant here