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Fujifilm’s New X-T4

In Ethics, Kathmandu, Photography, Photography News, Random Moments, Street Photography, Workshop News on August 3, 2020 at 7:25 PM

A special collaboration with Fujifilm Cameras

Story from Australia’s Better Photography Magazine’s Editor, Peter Eastway.
All photographs were taken © by Jack Picone during
cremations at Pashupatinath Temple in Kathmandu.
JACK PICONE: FAST, FLUID AND INTUITIVE
Fujifilm’s Amazing New X-T4

What does it take to be a successful documentary photographer?

Apart from the skills required to find and capture the images, most of the better- known documentary photographers you’ll meet are also deeply-thinking individuals. For them, photography is only a part of their personal involvement with the world – how they interact with their subjects is equally

important.

 

 

 

 

Jack Picone

Australian-born Jack Picone shoots editorial, corporate, architectural and street photography professionally. Over the past three decades, he has covered wars and social issues in Australia, Asia, Africa and Europe, and his work has won several international awards, including World Press Awards, the U.S. Photographer of the Year Awards (POY) and the Mother Jones/IFDP Grant for Social Documentary Photography. Professor Picone is also passionate about educating new generation photographers, passing on his experiences and ideas, but after all, this, what continues to drive Jack are his personal projects.

“Generally, my personal work is street photography and currently I’m working on ‘The Other Chinatown’in Bangkok and a surreal shopping mall rooftop zoo, also in Bangkok, called ‘Pata Zoo’.“

While Jack acknowledges challenges that all documentary photographers face – finding stories, access to subjects, engaging with subjects and obtaining permissions, it’s the nature of the interaction that is most important to him.

“I find it challenging to achieve an ethical balance with the people I document in longer-term documentary photography projects.” In other words (and at the risk of over-simplifying the issue), a wealthy first-world photographer documenting a poorer or disadvantaged subject creates an immediate bias, no matter how genuine the project is.

Collaboration

“I have partly surmounted this challenge by collaborating with the people I photograph”, explained Jack.

“I once read that it is impossible (without getting into the subject’s skin) to share an identical purpose. That said, and as Sarah Pink (in Doing Visual Ethnography, 2007) observes, working in close parallel can help to offset the unequal power relationship that often exists between a subject and a practitioner, resulting in a body of work that is more ethically balanced.”

Unobtrusive

Readers looking at Jack’s work (and that of other great documentary photographers), often wonder what cameras and techniques were used and while these aspects are important, the strength of the images usually results from addressing other issues, such as ethics.

Having said that, how does Jack work when he’s out in the field? Does he walk up to his subjects and shoot with a wide-angle lens, or shoot from an unobserved distance?

“It depends on the genre of photography I am working in”, answered Jack. “If it is street photography, I make photographs that avoid ‘disrupting’ the original moments unfolding. If documentary photography, then I meet people, spend time with them and invite them to have a say in their documentation.”

However, whether street or documentary photography, Jack believes the smaller and less obtrusive the camera, the better. “Some people are intimidated by cameras and house- brick size DLSRs only amplify any intrusion or intimidation.”

And in a nutshell, Jack is explaining why he is a keen advocate for the Fujifilm X-series cameras.

“The Fujifilm X-T cameras are small and

unobtrusive. Their retro design also makes them less intimidating and I think it is this combination that creates potent and positive psychology when photographing people, especially those in fragile situations.”

Before its release, Jack tested the new Fujifilm X-T4 in Kathmandu, Nepal on an assignment.

“Like Kathmandu itself, the X-T4 has a dual personality: On the outside, it resonates retro with classic design lines not eclipsed by time. On the inside, it is all twenty-first-century space-age technology. It’s a compelling combination.

“Nepal is a spiritually multi-dimensional and creative place. Much of its creativity is rooted in Hinduism. In Kathmandu, Hinduism is omnipresent in life and death. In fact, Hinduism is a conversation between life and death and it is reflected in Nepalese culture with its religious iconography, art, writing, graffiti, music and even the cremations on the banks of the sacred Bagmati river.”

Extreme Edge

“Unlike most Western countries, the Nepalese people are unconcerned with the documentation of their dead. They are inclusive of it because it is an intrinsic part of the Hindu religion, to share life’s experiences and to promote a culture of understanding between people everywhere.

“Hindus believe we are all the same and we are all in this life together. Sharing death is

part of that philosophy.
“Even so, photographing the ritual of death

is mostly about respect, unobtrusiveness and speed. There can be beauty in pathos and poetic and sorrowful photographs can be made or lost in microseconds.

“I found while documenting the cremations at Pashupatinath Temple in Kathmandu that the Fujifilm X-T4’s fold-away LCD screen in combination with the large dials and controls on the top deck allowed me to work fast, stay in the moment and learn about the Nepalese peoples’ conversation with death. I can’t imagine working with a camera that requires you to scrolling through endless menu pages!

“I push my cameras to the extreme edge of their capabilities. Having six and a half stops of image stabilisation, lighting fast autofocus, lots of film simulation modes and extra battery life, keeps me on that ‘edge’ where most of the potent photographs happen.

“The Fujifilm X-T4 is intuitive, fast, fluid and a natural extension of me and my creativity.”

For more information on the Fujifilm X-T4, visit fujifilm-x

+ All photos also used the Bleach Bypass film simulation mode.


 

Advertisement

The XT4 “Photography in Motion.”

In Kathmandu, Photography, Photography News, Street Photography, Workshop News on May 2, 2020 at 6:17 AM

It is a short film made by Film Director Megan Lewis Director of Photography Darren McCagh and Producer Kevin Cooper that helps promote Fujifilm’s latest flagship camera the XT4. Clearly, when a short film as well crafted as this is, ‘it’ [the art] is as much about the film-making as it is about the photography. The two make a potent mix.
Hope it is engaging on one level or another for those like-minded visual souls, who love storytelling, photography and film-making [and cameras], the way I do.
Stay safe during these surreal times.

Update For 2020 Workshop Schedule

In Workshop News on April 23, 2020 at 6:26 AM

Hi All,

Like people and businesses worldwide COVID-19 has ‘disrupted’ our continuing one-to-one tuition and group photography workshops.

That said, we remain optimistic (after it is safe to do so) that we will be able to offer workshops to you all towards the end of 2020.

Until then REPORTAGE PHOTOGRAPHY WORKSHOPS wishes you all luck with riding out the Coronavirus storm.

 

                                                                                                                                                                         © Photograph by Jack Picone

 Social distancing at Hua Lamphong station. Hua Lamphong is the main railway station in Bangkok, Thailand.

 

Stay safe and please stay tuned for updates.

~ Jack

 

      VARANASI & HOLI WORKSHOP March 7th-11th 2020

In Workshop in Motion, Workshop News on October 22, 2019 at 3:31 PM

VARANASI & HOLI WORKSHOP | MARCH 7th-11th 2020

                                                                                                              © Photograph by Stephen Dupont

Reportage Photography Workshops is a series of photography workshops on location in the most fascinating cities and outposts of Asia. Interacting closely with world-renowned photojournalists with long experience in the region, participants take on assignments aimed at advancing their photographic skills and vision. The intensive dawn-to-dusk courses involve challenging fieldwork, formal and informal critiques, editing sessions, evening projections and open discussion. In a stunning Asian setting, participants fully engage with the local culture and environment, and learn how to create photographic reportage to the highest standard.

VARANASI

Reportage Photography Workshops will hold its next roving workshop in Varanasi. Varanasi is one of India’s most enigmatic cities situated on the west bank of the legendary River Ganga (Ganges) in the Indian state of Uttar Pradesh. Varanasi is regarded as holy by Hindus, Buddhists and Jains. It is arguably one of the oldest continuously inhabited cities in the world and probably the oldest in India.

One of the world’s most breathtaking rivers the Ganges sleepily snakes past Varanasi’s vast number of Ghats as Hindu’s dispatch their loved ones to the Lord Shiva. Varanasi sears an unforgettable experience and is a rich vein for images. Mark Twain wrote: “…crammed perspective of platforms soaring stairways, sculptured temples, majestic palaces, softening away into the distances; and there is movement, motion, human life everywhere, and brilliantly costumed – streaming in rainbows up and down the lofty stairways…”

 

                                                                                             © Photograph by Stephen Dupont

 HOLI

The workshop will coincide with India’s and Varanasi’s kaleidoscopic Holi Festival (The Festival of Colors) taking place on Mon 9th & Tues 10th. Workshop participants will be able to dive right into the Holi festival and document it. Holi festival signifies the arrival of spring, the end of winter, the blossoming of love. For many it is a time to meet others, play and laugh, forget and forgive, and repair broken relationships. It lasts for a night and a day, starting on the evening of the Purnima (Full Moon day) which falls around the middle of March in the Gregorian calendar. Though essentially a Hindu festival, in recent years the festival has spread to parts of Europe and North America as a spring celebration of love, frolic, and colors.

 

 WORKSHOP OVERVIEW

The aim is to produce a photo essay with a striking visual narrative, to be shown on the final evening of March 11th. Tutors will hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, advanced camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your personal style.

The workshop’s schedule will be demanding but highly rewarding. Award-winning documentary photographer Jack Picone will lead the workshop together with acclaimed photojournalist artist and filmmaker Stephen Dupont. Both Stephen and Jack will be there to critique and edit participants’ work one-on-one, and to help navigate any areas of difficulty and discuss all your photographic concerns. Interpreters can also be arranged where necessary. Participants also take part in evening projections and discussions.

With a maximum of 12 participants, the 5-day workshop event will provide an opportunity to explore the cultural riches and social dynamism of this exotic city and river.

Cost: US$1,950. Includes all workshop sessions. Workshop cost does not include travel costs to Varanasi and accommodation.

Application: A $US500 deposit will be required at the time of booking to secure a place.

To receive further information or to request a registration form, please contact: Jack or jack@jackpicone.com or Stephen, stephendupont1@mac.com

 

                                                  Links: www.jackpicone.com / www.stephendupont.com

 

Please Note: We advise that all participants take out medical/travel insurance polices for all our workshops.  

 

 

Siem Reap | Angkor Wat | Workshop December 2019

In Photography, Photography News, Workshop in Motion, Workshop News on August 26, 2019 at 9:07 AM

Siem Reap | Angkor Wat | Workshop December 2019

When: 7th – 11th December 2019

 On the way to school. Angkor Wat, Siem Reap © Photograph by Jack Picone

 

Reportage Photography Workshops will hold its next roving workshop in Siem Reap, Cambodia’s fastest-growing town and the jumping-off point for the spectacular temple ruins of Angkor. With a maximum of 12 participants, the 5-day event will provide an opportunity to explore the cultural riches and social dynamism of this exotic corner of the world.

With the world’s most breathtaking ancient ruins on its doorstep, Siem Reap and surrounding areas offer endless photographic possibilities. The town itself has gone from backwater to boomtown in the space of a decade, and traditional Khmer culture coexists with the emergence of a new, hip generation of Cambodians. As well as the vast temple complex of Angkor, nearby are floating villages with traditional stilted houses, the rural beauty of Tonle Sap Lake and the flooded forest of Komplong Phhluk.

Celebrated photographer, artist and filmmakerStephen Dupont and Documentary photographer  Jack Picone  will work in tandem to deliver an immersive, insightful and enriching learning experience.

The workshop’s schedule will be engaging, energising and highly rewarding.

An introductory get-together will be held on the evening of the 6th of Dec. before the workshop’s formal start on the morning of 7th of Dec. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced two weeks before the workshop to provide you with time to research possible topics before you arrive.) The aim is to produce a documentary photo-essay with a striking visual narrative to be shown on the final evening of the workshop on Wednesday, Dec. 11th.

Stephen and Jack will hold one to one and group sessions to supervise, critique and edit participants assignments. Intensive dialogue is promoted on topics such as; photographic composition, portraiture, advanced camera techniques, how to research ideas and tell an original story, how to market a body of work and how to hone your personal style.

Early evenings are peppered with lively discussions concerning the aesthetics, philosophy and politics underpinning photography as a medium and with digital projections of both Stephen’s and Jack’s work and other noteworthy photographers.

 

“Enterprising.” A girl draws to glean donations from tourists en route to temples. Siem Reap, Cambodia  © Photograph by Jack Picone

 

Cost: US$ 1,955. Includes all workshop sessions. Workshop cost does not include travel costs to Siem Reap and accommodation.

Application: The workshop is strictly limited to 12 participants. A $US500 deposit will be required at the time of booking to secure a place.

Registration: To receive further information or to request a registration form, please contact: jack@jackpicone.com

Please Note: Siem Reap is a safe destination. That said and within a cautionary context, Reportage Workshops advise that all participants take out medical/travel insurance for the Siem Reap workshop. 


 

References and Links:

Stephen Dupont

Website

Netflix

World Press Photo

Jack Picone

Website

YouTube 

Wikipedia

 

Perfect for you?!

In Photography, Photography News, Workshop News on September 26, 2018 at 2:57 PM

If you can, pick up a copy of Australia’s contemporary and clever photography Magazine – [capture]. It is available in both print and online.

 

I am featured along with several noted Australian photographers [contacts below] concerning what our perfect camera would be.

Novel idea.

Below is an extract from the feature article inclusive of my thoughts about what my perfect camera might look like.

News Flash! We still have some places remaining on our up coming photography workshop in Havana, Cuba. If you are interested in going us view the details here and ping me an email  with any questions you might have.

 

 

 

~ Ends

 

 

A Small Selection Of Testimonials

In Ethics, Photography, Photography News, Workshop News on August 14, 2018 at 5:29 PM

Caption: Photoshop is “OK” but undeniable magic is experienced when a confluence of moment, aesthetic, light and emotion is delivered to the photographer in the form of a poetic photograph by the universe.

Join us in Havana for our upcoming photography workshop this November. Click here for further details.

 

Below is a small selection of testimonials from former participants who have attended Reportage Photography Workshops.

“For me, the Kathmandu workshop has been an unforgettable and very inspiring event in my life. Now after one week, looking back, I have only one word to summarize this experience: … wowww!!! It was a pleasure and honour to participate. Apart from the very professional instructions and guidance on photography from Jack and Stephen, it was amazing to discover that it is not only a great photo that counts but also the passion, vision, social/cultural involvement and messages of a great person behind all the work that was shared with us”.

Merci beaucoup!

Steven Van der Kruit

“Would I advise friends to do this workshop? YES

Would I do it again?

YES overseas to live a different experience and see a new place

Did I get out of the class what I expected?

YES, a lot more than what I expected.”

Andrea Francolini

“I had a very enjoyable time at the workshop and feel that I accomplished what I set out for – that is to hone my skills, learn new skills and become better able to take pictures of life here.  It was a wonderful experience and I think I took some of the best pictures that I have ever taken, so I’m completely chuffed”.

Luke Stephens

“Just wanted to say a big thank you to Jack for saying and insisting, “what’s your narrative about – tell me – I want to know”. To David for pushing me to explore things and persisting when I had a mini-crisis about it. To Steve for your artistic sensibility, sharing of your work and for questioning the suitcase shot. To Ed for your patience, encouragement and contemporary eyes for things. I was lucky to be part of it.”

Cim Sears

I thoroughly enjoyed the workshop experience. All four mentors offered sensitivity, encouragement and insight and were able to see the possibility of my work and push me to my strengths. Even though the critiques were casual the comments were direct and informed. After each critique, the bar was set that bit higher, as a consequence I was pushed into unfamiliar territory and subsequently into getting more interesting shots. The mantras “1 in 15” and “you don’t know until you go” keep me shooting and persisting. As a result, I built my confidence, resilience and stoked my photographic fire.

Skye

 “I have to say that I really enjoyed the week (even though it was hard work!) and felt that my photographic eye and technique improved significantly…I benefited greatly from the session with Jack and Steve in putting together my final selection for the showing on the final day – and the group praise from the panel afterwards was reassuring.”

Kieron Crawley

 ‘’I think what the Workshop is doing great is to give a different perspective to those pictures we “usually see without seeing”… and this is great and very refreshing! And also the Workshop has 100% fulfilled its expectations for me in terms of “inspiring people”! Great job!

I learnt a lot from the workshop, a totally new experience and can’t wait to go in the street taking pictures again.’’

Cecile Ducreux

 “Don’t miss the opportunity of learning photography with Jack Picone. He is a unique combination of professional photographer, local guide, and best friend. Work at your own pace. Have Jack review your images on a daily basis, discuss your shots in-depth, or shoot eight hours a day. He will let you know what to look for in a scene and be able to gain access into intimate situations. Jack is a photojournalist on a Magnum and National Geographic level with a passion for teaching. Take your photography to the next level and enjoy a memorable travel experience too.”

Jeffrey Jue

“Without a doubt the most inspiring six days I’ve ever experienced. I was inspired to develop my own style and to follow what I believe to be true to me, and more importantly, to go out and have fun! Thanks again for a fantastic six days. I went out to Kings Cross and I’m confident I’ve taken some of my best shots for my project immediately following the workshop… oh! and I’m shooting in film now. That’s how influential Jack, Stephen was, to the point of experimenting with a different medium”.

Ian Flanders

“The Reportage Photography Workshop” was an extremely valuable experience. It was an immense help to me to hear Jack and Steve both talk about their work, the changing world of photojournalism, and what it takes to be a photographer in this day and age. Not only that but their expert advice in relation to photographic techniques, equipment and critique was immensely beneficial. It was also a great opportunity to meet other talented photographers during the workshop. I highly recommend this workshop to anyone with the desire to extend their documentary/photojournalism photography. It was a very inspiring few days.”

Zoe Morley

 I attended the Sydney Workshop even though I don’t necessarily want to specialise in photojournalism. I found that the learning was applicable across all photographic disciplines. I came away with more knowledge and confidence about framing, composition and storytelling – what makes a great shot. But possibly the greatest thing I took away from the workshops was inspiration. To hear the stories and see the pictures made by world-class photographers like Jack Picone and Stephen Dupont renewed my energy to shoot and my passion for photography. The range of other presentations from legends of the industry like Tim Page and others only value-added and widened the appeal and scope for me. I found Picone and Dupont to be frank and honest in their critique of my work and yet sufficiently gentle in their suggestions and friendly nature not to crush my spirit.  I’ve found it very difficult to get honest and considered feedback on my photography over the years – but I found it at the workshops. I would encourage anyone who was thinking about attending one of their workshops to do so.  The more you put into it, the more you’ll get back.”

Tim Anger

 “This was an excellent workshop, with some outstanding international photographers coming in to show us their work, and to tell us their story. It was very inspiring. For me the best part was absolutely the critique of the images being taken, as it is very hard to get good honest critique, and to have the photos that you have just taken really given a working over was a very good experience and offered good insight into what other people are looking at and experiencing with the photos. The theme of photographing ‘Hope’ was also very interesting, as this was the first time I had been given such an assignment, and it was very helpful to see the thought processes that I went through.

“At 21 I was probably the youngest person in the workshop, possibly with the least experience, but this was no barrier; everyone was equal, everyone has constructive criticism, everyone had a story to tell, it was really lovely being in such a group. Given the opportunity, I would not hesitate to recommend this on to others, or to participate in the workshop again.”

Mitchell Mathieson

“The workshop was a chance to get up close and personal with two (Picone and Dupont) outstanding members of the professional photographic community as well as the guest presenters who were all amazing in their own right. I especially enjoyed the opportunity to meet, discuss and interact with the other students in an open forum. I will be using my experience as a foundation for my photographic style which will no doubt benefit from the valuable guidance I received”.

David Gross

 “I shot a lot of photos and I gained enormous insight into the editing process in regard to how to tell various stories from the one body of work. I also greatly appreciated the guidance in refining my shooting techniques. The relaxed environment was surprisingly conducive to learning and the opportunity to listen in on critique sessions of other participants was particularly insightful”.

Trish Macris

“For me, the Sydney workshop was really valuable, not only in the obvious ways but also in the quiet moments of conversation, discussions and image reviews.  Spending time with photographers actually successful in their vocation was something that made it all very tangible. It was truly valuable to see portfolios of work by high quality, significant photographers and their personal commentary as they presented their own work…  Stephen’s work on PNG and increasing focus on the anthropological aspect of his art,  Jack’s work on the Thai-Burma border and pearls of wisdom throughout the week, Tim Page’s extraordinary body of work during the Vietnam war, and documenting the impact of agent orange since then.  I found the reviews of my own work and the work of my colleagues really helpful. Tim Page’s brutally frank reviews were really helpful and an eye-opener.  Jack’s thoughtful insight into what makes a good and interesting photograph resonated deeply.  Stephen’s eye and holistic view when it came to image selection, editing and presentation were excellent.  I came away with a great appreciation and respect for the photographers we spent time with and more clarity for my own path ahead.”

Kate Baker

‘I learned a lot. The shooting assignment was a brilliant idea… scary, but brilliant. Not only did it provide a platform to be critiqued by Jack and Steve, but I personally felt really encouraged to push myself. I found Jack and Steve’s passion for photography, encouragement and aiming for excellence very contagious. Having additional visiting photographers share their stories as well as just being really inspired by the creative energy of the other participants in the workshop all around made for a great week. I think I was on a high all week… I thoroughly recommend it!!’

“A”

 ~ ends

Katoomba Photography Workshop: 8th-12th Dec. 2017.

In Photography, Workshop News on October 7, 2017 at 4:30 AM

We are taking bookings for Reportage Photography Workshops next workshop in Katoomba, Australia, 8th-12th Dec. 2017.

Update: We are happy to announce this workshop is now priced in Aus$ representing a discount of Aus$520!

Join Stephen and I (Jack) for an unforgettable experience in photography, place, and space.
         © iPhone Photograph by Jack Picone
View from a graffitied train window in the Blue Mountains en route to Katoomba. ‘Graffiti’ is based on the Italian word graffio (which means ‘scratch’).
Entrancing Katoomba is 110 kilometers west of Sydney at an altitude of 1,017 meters. It is situated in the Blue Mountains. The Blue Mountains, including Katoomba, is the traditional land of the Gundungurra people and indigenous habitation of the Blue Mountains dates from around 22,000 years ago. The name ‘Ka-toom-bah’, is thought to have emanated from local indigenous people and when translated is said to mean ‘place of many waterfalls.’
It is a popular destination for day-trippers from Sydney and international travelers both lured there by its country town main street, cafes, galleries, and antique shops. But for a photographer, Katoomba is much more than that.
Katoomba is a spiritual and visual mother lode; palpable indigenous peoples ancient history, white man’s recent history, a kaleidoscope of architecture from Federation to now. Local people, who have ‘creativity’ as an in-common gene, bewitching light, impossible mountain landscapes, old trees that reach for the sky, all of which make your heart miss a beat and ask, ‘why has it taken me so long to be here.’
Workshop Overview: This workshop is open to photographers who practice any genre and are at any level. We promote, support and are all inclusive of female photographers.
Award-winning documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, the acclaimed photographer, and filmmaker. Both Stephen and Jack will critique and edit participants’ work one-to-one, and also take part in evening projections and discussions.
Individual and group sessions are held to dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your style. The workshop is very project based as opposed to technically driven.
The aim is to produce a photo-essay with a striking visual narrative, to be projected on the final evening of the workshop.
The workshop’s schedule will be demanding but highly rewarding.
Application: The workshop is strictly limited to 12 participants. A AUS$500 deposit will be required at the time of booking to secure a place. This will be a popular workshop; please book early to avoid disappointment.
Tuition Cost: AUS$1950
Cost includes all workshop sessions. Cost is not inclusive of travel and accommodation.
To receive further information or to request a registration form, please contact: Jack Picone: jack@jackpicone.com or Stephen Dupont: stephendupont1@me.com
Links:
Jack Picone
Stephen Dupont

Student’s Work From Kathmandu 2011

In Kathmandu, Workshop in Motion, Workshop News on April 1, 2017 at 7:04 AM

                                                                                                  © Photograph by Kevin Cooper

This video highlights the compelling photographs authored by participants’ who took part in our last Kathmandu Workshop, July 11-16, 2011.

View video here:

The participants who took part and whose work appears on this video include:

Susie Hagon
Narendra Mainali
Kevin Cooper
Bikash
Cim Sears
Kelly Mac
Nadia Janis
Kellie Lefranchi
Matt Dole
Kate Walton

What can you do?

Our upcoming workshop in Kathmandu is:  August 28th – September 1st, 2017 .

Join us for an unforgettable experience!

For further information please contact:

Stephen Dupont stephendupont1@mac.com  and/or Jack Picone jackvpicone@gmail.com

To register contact Jack Picone
jack@jackpicone.comjackvpicone@gmail.com

Music Credit: Clap Hands from Rain Dogs by Tom Waits

Workshop In Motion – Upcoming Sept. 3rd-7th, 2017 Workshop in Kathmandu, Nepal.

In Ethics, Kathmandu, Workshop in Motion on March 31, 2017 at 10:36 AM

Stephen Dupont and Jack Picone give an overview of what to expect on our upcoming Sept. 2017 in Kathmandu, Nepal.                                                                                               © Photograph by Jack Picone

A young deceased woman (above) is carried to the burning ghats by family members at Pashupatinath Temple, Kathmandu.

View the short video here and be transported to the kaleidoscopic streets of Nepal.

~ Jack Picone