Reportage

Posts Tagged ‘social commentary’

Katoomba Photography Workshop: 8th-12th Dec. 2017.

In Photography, Workshop News on October 7, 2017 at 4:30 AM

We are taking bookings for Reportage Photography Workshops next workshop in Katoomba, Australia, 8th-12th Dec. 2017.

Update: We are happy to announce this workshop is now priced in Aus$ representing a discount of Aus$520!

Join Stephen and I (Jack) for an unforgettable experience in photography, place, and space.
         © iPhone Photograph by Jack Picone
View from a graffitied train window in the Blue Mountains en route to Katoomba. ‘Graffiti’ is based on the Italian word graffio (which means ‘scratch’).
Entrancing Katoomba is 110 kilometers west of Sydney at an altitude of 1,017 meters. It is situated in the Blue Mountains. The Blue Mountains, including Katoomba, is the traditional land of the Gundungurra people and indigenous habitation of the Blue Mountains dates from around 22,000 years ago. The name ‘Ka-toom-bah’, is thought to have emanated from local indigenous people and when translated is said to mean ‘place of many waterfalls.’
It is a popular destination for day-trippers from Sydney and international travelers both lured there by its country town main street, cafes, galleries, and antique shops. But for a photographer, Katoomba is much more than that.
Katoomba is a spiritual and visual mother lode; palpable indigenous peoples ancient history, white man’s recent history, a kaleidoscope of architecture from Federation to now. Local people, who have ‘creativity’ as an in-common gene, bewitching light, impossible mountain landscapes, old trees that reach for the sky, all of which make your heart miss a beat and ask, ‘why has it taken me so long to be here.’
Workshop Overview: This workshop is open to photographers who practice any genre and are at any level. We promote, support and are all inclusive of female photographers.
Award-winning documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, the acclaimed photographer, and filmmaker. Both Stephen and Jack will critique and edit participants’ work one-to-one, and also take part in evening projections and discussions.
Individual and group sessions are held to dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your style. The workshop is very project based as opposed to technically driven.
The aim is to produce a photo-essay with a striking visual narrative, to be projected on the final evening of the workshop.
The workshop’s schedule will be demanding but highly rewarding.
Application: The workshop is strictly limited to 12 participants. A AUS$500 deposit will be required at the time of booking to secure a place. This will be a popular workshop; please book early to avoid disappointment.
Tuition Cost: AUS$1950
Cost includes all workshop sessions. Cost is not inclusive of travel and accommodation.
To receive further information or to request a registration form, please contact: Jack Picone: jack@jackpicone.com or Stephen Dupont: stephendupont1@me.com
Links:
Jack Picone
Stephen Dupont
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Kathmandu September 3rd-7th, 2017

In Workshop News on March 9, 2017 at 2:26 AM

KATHMANDU

September 3rd-7th 

2017

                                                                                                      © Photograph by Jack Picone

Reportage Photography Workshops will hold its second roving workshop in Kathmandu. Kathmandu is one of the world’s most atmospheric cities. Even as urban chaos encroaches, this “city at the top of the world” retains its unique aura of magic, mysticism, and tradition. Over the last decade its roughly one million inhabitants, who are squeezed tightly into the Kathmandu Valley, have also been experiencing a period of major social and political turmoil – from a fierce Maoist insurgency, government curfews, and censorship to mass demonstrations against royal rule and killings of protesters. Democracy was restored in 2006 amid jubilation, and the Maoists have since joined an interim government. Today, many Nepalis believe their country has entered a new era of hope and peace.

What the Travel Guides say:

“Draped along the spine of the Himalaya, Nepal is a land of sublime scenery, time-worn temples, and some of the best hiking trails on earth. It’s a poor country, but it is rich in scenic splendor and cultural treasures. The kingdom has long exerted a pull on the Western imagination. Kathmandu is really two cities: a fabled capital of convivial pilgrims and carved rose-brick temples, and a frenetic sprawl of modern towers, mobbed by beggars and monkeys and smothered in diesel fumes. It simultaneously reeks of history and the encroaching wear and tear of the modern world.” – Lonely Planet

Workshop Overview: Award-winning documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, the acclaimed photojournalist, and filmmaker. Both Stephen and Jack will be there to critique and edit participants’ work one-to-one, and also take part in evening projections and discussions.

An introductory get-together will be held on the evening before the workshop’s formal start. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced before the workshop to give you time to research possible subjects before you arrive.)

The aim is to produce a documentary photo essay with a striking visual narrative, to be shown on the final evening of the workshop. Tutors will hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your personal style. The workshop is very project based as opposed to technically driven.

The workshop’s schedule will be demanding but highly rewarding. Tutors and field assistants will be on hand constantly to help navigate any areas of difficulty and discuss all your photographic concerns. Interpreters can also be arranged where necessary.

Traditional Photo Essay and Multimedia: During the workshop participants will have an option to produce a completed photo essay within the documentary tradition or in a more contemporary context, a multimedia. In both cases, tutors will be on hand to guide you through the respective process.

Application: The workshop is strictly limited to 12 participants. A $500 deposit will be required at the time of booking to secure a place. This is one of our most popular workshops, so book early to avoid disappointment.

Cost: US$1,950 includes all workshops sessions. Workshop cost does not include travel costs to Kathmandu and accommodation.

To receive further information or to request a registration form, please contact: Jack Picone: jackvpicone@gmail.com or Stephen Dupont: stephendupont1@me.com

 

Links:

Jack Picone

http://www.jackpicone.com

Stephen Dupont

http://www.contactpressimages.com/photographers/dupont/dupont_bio.html

 

HOPE | A PHOTOGRAPHIC EXHIBITION by PATRICK BROWN in BANGKOK

In Photography News on September 28, 2015 at 2:45 AM

The American Photographer Lee Friedlander {b. 1934} once said he was mostly interested in photographing ‘people and things’, but it could be suggested that he expressed those interests in the depiction of places. A photograph can transport the viewer to the street corner of the town they live in, to the next city or the edge of the earth.

A photograph is created by a photographer standing in a particular place at a specific time. Amongst the many reasons for a photographer initially making the photograph one that is paramount is that the photographer wishes to ‘take the viewer there’.

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Patrick Brown’s polaroid landscapes of Australia’s ‘Never Never’ (As Indigenous Australians sometimes refer to the Outback) exhibition titled, HOPE and on show at The Jam Factory in Bangkok Sept. 17 – Oct. 17th succeeds eminently in ‘taking the viewer there’.

Brown’s dark and brooding polaroids not only ‘take the viewer there’ they also act as a kind of emotional trigger. On viewing the polaroids a yearning to travel to where Brown painstakingly made his photographs follows. The want to explore the places and understand the secret of their beauty beckons.

As with Brown’s polaroids, compelling photographs always ask more questions than they ever answer. Questions similar to, what is my relation to these vast ‘forever’ spaces? Where do I or not fit in?

What is unique about this exhibition is that Brown has answered some of the questions photographs like these often ask. He has been successful in reading the visual signifiers’ and messages thrown at him by the natural (and at times the manmade world) which is busy in an endless cycle of creation and destruction. He has given their indicators shape and context. He puts the viewer and by extension — man the protagonist — squarely ‘there’. It becomes evident that man is not just standing on the edge of these landscapes. Man is center stage. He has ideologically, historically, economically, agriculturally, spiritually interacted and finally appropriated these vast spaces. Harmony, discord, fruitfulness, barrenness, utopia and destruction amongst a myriad of others have followed. Man’s interaction is burnt into landscapes not unlike the burnt landscapes themselves documented here. Perhaps the most important question these photographs solicit from the viewer is; will man protect these spaces for future generations or exploit and destroy them as he has done since time immemorial?

Each photograph in HOPE responds to the viewer in the form of a contemplative experience and potently compels the viewer to – question everything. ~ JP

Boko Haram – Kidnappers

In Ethics, Photography News on May 9, 2014 at 1:11 PM

Boko Haram 

Boko_Haram_leader__Abubakar_Shekau_916127537(Above) Leader of Boko Haram, Abubakar Shekau, gloatingly threatening to sell the girls as “slaves”.
 
Despairingly, when you ask yourself quietly can the world get any more screwed up then it already is, then something like Boko Haram confirms – that indeed it can.
Boko Haram is holding 276 girls from a raid on a school in Chibok on 15 April and a further eight, aged between eight and 15, taken in an overnight raid from their village.
Boko Haram literal translation is – Western learning is forbidden – it is a is a Nigerian Islamist militant group made up of dispersed cells and factions mainly in the northeast of the country. There main objective to make northern Nigeria an Islamic state. What this has to do with kidnapping innocent young school girls we may never really now. Drum roll…….dut da da dut.. da da… meet (see attached pix + video) the clearly charismatic, urbane, erudite and visionary leader of Boko Haram, Abubakar Shekau, gloatingly threatening to sell the girls as “slaves”.
What a fine specimen of manhood – a luminary. I despair.
View in full deranged rant here

Documentary Photographer Jack Picone Interviewed In Vice Magazine

In Photography News on August 18, 2013 at 8:02 AM

JackPicone_Conflict_Cropped-2010-3

 Photograph: Jack Picone at work in Bangkok during Thailand’s political discord in 2010.

JP-BOOKMASTER-33 copy

                                  Angolan civil war © Photograph by Jack Picone

Documentary photographer Jack Picone interviewed by Vice Magazine Jack  about working in the short term in conflict zones and working in the long term as a documentary photographer on social issue based subjects. Read the full Q & A here.

Life and Death in Aleppo

In Ethics, Photography News, Street Photography on November 10, 2012 at 10:05 PM

The following events took place in ALEPPO, Syria – in September 2012

Tracey Shelton displays extraordinary courage under fire while documenting the ongoing conflict in Syria.

“On this morning, the men were relaxed and joking around as they cleaned their area from a tank attack the day before. That time, they had been prepared and the tank had fired too short. This time, the assault came with little warning”.

View Shelton’s report  here:                                                                                                                                   

                                                                                                                                                    © Tracey Shelton

PEACE

In Photography News on November 3, 2012 at 3:10 AM

The photography collective, ˚South (Degree South), will launch its latest exhibition, “PEACE” at the Tanks Arts Centre  in Cairns, in Far North Queensland, on Friday 23rd November.   The photographs for this exhibition have been printed on Fujifilm Crystal Archive PD paper as part of Fujifilm’s sponsorship of the exhibition.

                                                                                                                               © Photograph by Jack Picone

“PEACE”, which follows Degree South’s WAR exhibition and book, features photographs from the Collective’s members – Tim Page, Michael Coyne, Jack Picone, David Dare Parker, Ben Bohane, Stephen Dupont, and Ashley Gilbertson – who have selected photographs they believe reflect their notion of peace. The exhibition also includes photographs from Sean Flynn, who is listed as missing in action in Cambodia since 1970, and whose archive falls under the Degree South banner.

For further exhibition details please read  here:

• Jack Picone

Broken People by Nana Chen

In Photography News, Workshop in Motion on July 18, 2012 at 5:14 AM

© Photograph by Nana Chen

A soulful and intimate reportage concerning the challenges of health and medical care, for people in Luang Prabang, Laos.

Broken People authored by Nana Chen during The Jack Picone and Stephen Dupont Documentary Photography Workshops in Laos. View here:

Our next workshop takes place in iconic Havana, Cuba 25th Nov – 30th Nov 2012.

JP

Luang Prabang Workshop – It is a Wrap!

In Workshop News on July 18, 2012 at 3:47 AM

A precis of participants photographs produced on our just concluded workshop in mystical Luang Prabang, Laos.

More of the participants work will follow in coming days.

Stephen, Ed and myself were thrilled by the work produced by participants in Luang Prabang.

Our next workshop will be in extraordinary Havana, Cuba 25th November – 30 November 2012

Click on Luang Prabang Workshop – It is a Wrap! – to view images larger – Enjoy!

 JP

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10X100 ’10 Australian Photographers’

In Photography News on July 6, 2012 at 3:38 AM

                                                                                         © Photograph in Kathmandu by Jack Picone

 

10 of Australia’s finest contemporary photographers were invited to explore their creativity using Fujifilm’s recently developed, compact, new generation Finepix X100 digital camera, submitting 10 photographs each for publication in the book and exhibition ’10×100: 10 Australian Photographers’.

“The 10 were chosen for their prominence as world-class photographers, their award-winning careers and their status as some of Australia’s finest working visual artists”.

’10×100: 10 Australian Photographers’ to exhibit at the Queensland Centre For Photography. Read here: