Caption: Photoshop is “OK” but undeniable magic is experienced when a confluence of moment, aesthetic, light and emotion is delivered to the photographer in the form of a poetic photograph by the universe.
Join us in Havana for our upcoming photography workshop this November. Click here for further details.
Below is a small selection of testimonials from former participants who have attended Reportage Photography Workshops.
“For me, the Kathmandu workshop has been an unforgettable and very inspiring event in my life. Now after one week, looking back, I have only one word to summarize this experience: … wowww!!! It was a pleasure and honour to participate. Apart from the very professional instructions and guidance on photography from Jack and Stephen, it was amazing to discover that it is not only a great photo that counts but also the passion, vision, social/cultural involvement and messages of a great person behind all the work that was shared with us”.
Merci beaucoup!
Steven Van der Kruit
“Would I advise friends to do this workshop? YES
Would I do it again?
YES overseas to live a different experience and see a new place
Did I get out of the class what I expected?
YES, a lot more than what I expected.”
Andrea Francolini
“I had a very enjoyable time at the workshop and feel that I accomplished what I set out for – that is to hone my skills, learn new skills and become better able to take pictures of life here. It was a wonderful experience and I think I took some of the best pictures that I have ever taken, so I’m completely chuffed”.
Luke Stephens
“Just wanted to say a big thank you to Jack for saying and insisting, “what’s your narrative about – tell me – I want to know”. To David for pushing me to explore things and persisting when I had a mini-crisis about it. To Steve for your artistic sensibility, sharing of your work and for questioning the suitcase shot. To Ed for your patience, encouragement and contemporary eyes for things. I was lucky to be part of it.”
Cim Sears
I thoroughly enjoyed the workshop experience. All four mentors offered sensitivity, encouragement and insight and were able to see the possibility of my work and push me to my strengths. Even though the critiques were casual the comments were direct and informed. After each critique, the bar was set that bit higher, as a consequence I was pushed into unfamiliar territory and subsequently into getting more interesting shots. The mantras “1 in 15” and “you don’t know until you go” keep me shooting and persisting. As a result, I built my confidence, resilience and stoked my photographic fire.
Skye
“I have to say that I really enjoyed the week (even though it was hard work!) and felt that my photographic eye and technique improved significantly…I benefited greatly from the session with Jack and Steve in putting together my final selection for the showing on the final day – and the group praise from the panel afterwards was reassuring.”
Kieron Crawley
‘’I think what the Workshop is doing great is to give a different perspective to those pictures we “usually see without seeing”… and this is great and very refreshing! And also the Workshop has 100% fulfilled its expectations for me in terms of “inspiring people”! Great job!
I learnt a lot from the workshop, a totally new experience and can’t wait to go in the street taking pictures again.’’
Cecile Ducreux
“Don’t miss the opportunity of learning photography with Jack Picone. He is a unique combination of professional photographer, local guide, and best friend. Work at your own pace. Have Jack review your images on a daily basis, discuss your shots in-depth, or shoot eight hours a day. He will let you know what to look for in a scene and be able to gain access into intimate situations. Jack is a photojournalist on a Magnum and National Geographic level with a passion for teaching. Take your photography to the next level and enjoy a memorable travel experience too.”
Jeffrey Jue
“Without a doubt the most inspiring six days I’ve ever experienced. I was inspired to develop my own style and to follow what I believe to be true to me, and more importantly, to go out and have fun! Thanks again for a fantastic six days. I went out to Kings Cross and I’m confident I’ve taken some of my best shots for my project immediately following the workshop… oh! and I’m shooting in film now. That’s how influential Jack, Stephen was, to the point of experimenting with a different medium”.
Ian Flanders
“The Reportage Photography Workshop” was an extremely valuable experience. It was an immense help to me to hear Jack and Steve both talk about their work, the changing world of photojournalism, and what it takes to be a photographer in this day and age. Not only that but their expert advice in relation to photographic techniques, equipment and critique was immensely beneficial. It was also a great opportunity to meet other talented photographers during the workshop. I highly recommend this workshop to anyone with the desire to extend their documentary/photojournalism photography. It was a very inspiring few days.”
Zoe Morley
I attended the Sydney Workshop even though I don’t necessarily want to specialise in photojournalism. I found that the learning was applicable across all photographic disciplines. I came away with more knowledge and confidence about framing, composition and storytelling – what makes a great shot. But possibly the greatest thing I took away from the workshops was inspiration. To hear the stories and see the pictures made by world-class photographers like Jack Picone and Stephen Dupont renewed my energy to shoot and my passion for photography. The range of other presentations from legends of the industry like Tim Page and others only value-added and widened the appeal and scope for me. I found Picone and Dupont to be frank and honest in their critique of my work and yet sufficiently gentle in their suggestions and friendly nature not to crush my spirit. I’ve found it very difficult to get honest and considered feedback on my photography over the years – but I found it at the workshops. I would encourage anyone who was thinking about attending one of their workshops to do so. The more you put into it, the more you’ll get back.”
Tim Anger
“This was an excellent workshop, with some outstanding international photographers coming in to show us their work, and to tell us their story. It was very inspiring. For me the best part was absolutely the critique of the images being taken, as it is very hard to get good honest critique, and to have the photos that you have just taken really given a working over was a very good experience and offered good insight into what other people are looking at and experiencing with the photos. The theme of photographing ‘Hope’ was also very interesting, as this was the first time I had been given such an assignment, and it was very helpful to see the thought processes that I went through.
“At 21 I was probably the youngest person in the workshop, possibly with the least experience, but this was no barrier; everyone was equal, everyone has constructive criticism, everyone had a story to tell, it was really lovely being in such a group. Given the opportunity, I would not hesitate to recommend this on to others, or to participate in the workshop again.”
Mitchell Mathieson
“The workshop was a chance to get up close and personal with two (Picone and Dupont) outstanding members of the professional photographic community as well as the guest presenters who were all amazing in their own right. I especially enjoyed the opportunity to meet, discuss and interact with the other students in an open forum. I will be using my experience as a foundation for my photographic style which will no doubt benefit from the valuable guidance I received”.
David Gross
“I shot a lot of photos and I gained enormous insight into the editing process in regard to how to tell various stories from the one body of work. I also greatly appreciated the guidance in refining my shooting techniques. The relaxed environment was surprisingly conducive to learning and the opportunity to listen in on critique sessions of other participants was particularly insightful”.
Trish Macris
“For me, the Sydney workshop was really valuable, not only in the obvious ways but also in the quiet moments of conversation, discussions and image reviews. Spending time with photographers actually successful in their vocation was something that made it all very tangible. It was truly valuable to see portfolios of work by high quality, significant photographers and their personal commentary as they presented their own work… Stephen’s work on PNG and increasing focus on the anthropological aspect of his art, Jack’s work on the Thai-Burma border and pearls of wisdom throughout the week, Tim Page’s extraordinary body of work during the Vietnam war, and documenting the impact of agent orange since then. I found the reviews of my own work and the work of my colleagues really helpful. Tim Page’s brutally frank reviews were really helpful and an eye-opener. Jack’s thoughtful insight into what makes a good and interesting photograph resonated deeply. Stephen’s eye and holistic view when it came to image selection, editing and presentation were excellent. I came away with a great appreciation and respect for the photographers we spent time with and more clarity for my own path ahead.”
Kate Baker
‘I learned a lot. The shooting assignment was a brilliant idea… scary, but brilliant. Not only did it provide a platform to be critiqued by Jack and Steve, but I personally felt really encouraged to push myself. I found Jack and Steve’s passion for photography, encouragement and aiming for excellence very contagious. Having additional visiting photographers share their stories as well as just being really inspired by the creative energy of the other participants in the workshop all around made for a great week. I think I was on a high all week… I thoroughly recommend it!!’
“A”
~ ends
Workshop News, Street Photography, Ethics, Photojournalist, social commentary, Fuji, Conflict, War, Picone Documentary Workshops, Documentary Photography, The Jack Picone and Stephen Dupont Documentary Photography Workshops, Genocide, Rwanda, FUJIFILM XT3, PEACE
RWANDA PEACE VII/F The VII Foundation
In Photography News, Photography on April 16, 2019 at 12:58 PMAs you read this, Rwandan people are midst 100 days of mourning.
The final number of people who died (and maimed) in the most violent, base and horrific of circumstances has never truly been quantified. Educated estimates place the death toll, conservatively, at one million people. Previously unknown mass grave sites are still being discovered, today. The depth and breadth and vast scale of death solicit inevitable comparisons of the wholesale slaughter of the Jewish community during the second world war and the Cambodian genocide in South-Esat Asia.
In 1994, I documented and reported on the genocide as it unfolded. After crossing the border illegally from Uganda with fellow photographer and friend Stephen Dupont we quickly realized that we had easily, too easily, walked through a door into hell on earth. In front of us was; a burnt, blighted, broken, bomb and a bullet-scarred landscape peppered with the dismembered dead. We ricochet across Rwanda in the back of pick-up gun trucks with the Rwandan Patriotic Front (RPF). At times we crossed paths and interviewed the RPF’s leader Major General Kagame (now President Kagame) as he led his men and pushed towards the capital Kigali to regain power, he saw was theirs. During the battle for RPF to regain power, Rwanda spiralled into a politically toxic and human abyss. Rwanda almost fell off the edge of the world. Such was the heightened level of destructiveness, horror and carnage dispensed by both Tutsis and Hutus it is not implausible to suggest that Rwanda may have never been seen again. It was on the cusp of annihilation.
Fast forward >> to the Twenty-First Century; The VII Foundation is examing countries now at peace (like Rwanda in this case) critically and with rigour and by dispatching leading photographers and writers of war to those countries where they first reported from during the conflict to consider them contemporarily.
Some of the other countries and regions included in the series include; Iraq, Cambodia, Bosnia, Colombia and The Middle East.
I have recently returned from Rwanda working with The VII Foundation VII/F documentary film crew making a feature-length documentary film re-tracing the dark journey I made in 1994. I was assigned by VII Foundation Directors Gary Knight, Ron Haviv and Directed and collaborated with Fiona Turner. On the
ground in Rwanda, I collaborated with the erudite VII Cinematographers and photographers, Christopher Morris and Maciek Nabrdalik our translator and Rwandan all things cultural ambassador was Gadi Habumugisha. Peter Klein the legendary Producer, Director and Founder of The Global Reporting Centre kept us all flying at a high altitude and being the best we could be.
As quintessentially important and necessary as it is documenting war, media is often absorbed with documenting wars as they unfold. The distinction here is, the VII Foundation Peace Project is innovative in adjusting the balance by extending the documentation and the conversation to be more inclusive of the aftermath of war. It is an exploration of countries previously ravaged by war, considering the legacy and impact of war upon their specific culture and country. It is rooted in reflectively making an attempt to quantify the ‘quality of peace’ in post-war time and most importantly – maintaining peace.
Our Rwanda at Peace documentary is in the editing suite for a while yet but as soon as I hear of a release date. I’ll make a post about where and when it can be viewed for those interested.
I have attached a random précis of photographs made during the 1994 genocide (as historical documents) and some contemporary photographs of Rwanda in 2019 – at Peace.
Rwanda April 1994
An RPF rebel soldier advances towards Kigali during the Rwandan genocide, Rwanda.
Rwanda February 2019
Alice Mukarurinda (right) and the genocidaire Emmanuel Ndayisaba (left). Emmanual viciously attacked Alice during the genocide cutting her hand off and leaving her for dead. Against all odds, both have reconciled with each other and now teach reconciliation to fellow perpetrators and victims caught up in the 1994 genocide.
Ecotourism (above and below) is a major contributor to Rwanda’s growing economy. In these photographs, Rwandans perform for foreign tourists at The Guardian Village an Eco lodge in Ruhengeri.
Belancila (Laurencie Nyirabeza’s close friend who was murdered during the genocide) Taba, Kigali.
Poignant and pervading photographs installation at the Kigali Genocide Memorial of Rwandans who were slaughtered in the 1994 genocide.
Ruth Mukankuranga mid-class at Karushaka, Prefecture, Kigali. Pre the 1994 genocide many teachers imparted discrimination against ethnic Tutsis via anti-Tutsi writings within school textbooks.
Agnes Nyiransabimana (red headdress) Pyrethrum flower farm owner with her workers harvesting Pyrethrum flowers outside of Ruhengeri (or Musanze) a city in northwest Rwanda.
A one on one interview (Jack Picone green jacket) with The President of Rwanda, Paul Kagame (blue windcheater). Producer, Peter Klein (far right).
Dairy cow shepherds care for their cows, Rubavu (former Gisenyi), Rwanda.
“Bringing in the wheat” (and below) outside of Ruhengeri (or Musanze) a city in northwest Rwanda. It’s the gateway to Volcanoes National Park, home to mountain gorillas and golden monkeys.
This is “Umuganda,” a community cleanup held on the last Saturday of every month. It is the reason that Rwanda is known as the cleanest city on the African continent. Kigali, Rwanda.
Daily life in and around Kigali’s CBD.
Daily life in and around Kigali’s CBD.
Dairy cow shepherds care for their cows, Rubavu (former Gisenyi), Rwanda.
~JP