Posts Tagged ‘Photojournalism’


In Photography, Photography News on December 22, 2017 at 4:38 PM

If you are passionate about photography then pen Australia’s APERTURE Photographic Conference for 28th & 29th of April 2018!

It is a meeting of like minded souls and kindred spirits sharing a wealth of knowledge and experience about the medium of photography.

Speakers include: 



and more…

Where: International Convention Centre (ICC) Darling Harbour, SydneyTickets Available Now @apertureaustralia 
Speakers: @murrayfredericks@aquabumps @kenduncanphotos @garyheery@krystlejwright @jack_picone 
@raymondgmartin#photojournalism #documentaryphotography #aperture2018 #iccsydney #photography #sydney#photographyconference #behindthelens#photographer #artist #australia #darlingharbour#cityofsydney #aperture #lens #fineart#fineartphotography #alexiasinclair #intothegloaming #photos 


Katoomba Photography Workshop: 8th-12th Dec. 2017.

In Photography, Workshop News on October 7, 2017 at 4:30 AM

We are taking bookings for Reportage Photography Workshops next workshop in Katoomba, Australia, 8th-12th Dec. 2017.

Update: We are happy to announce this workshop is now priced in Aus$ representing a discount of Aus$520!

Join Stephen and I (Jack) for an unforgettable experience in photography, place, and space.
         © iPhone Photograph by Jack Picone
View from a graffitied train window in the Blue Mountains en route to Katoomba. ‘Graffiti’ is based on the Italian word graffio (which means ‘scratch’).
Entrancing Katoomba is 110 kilometers west of Sydney at an altitude of 1,017 meters. It is situated in the Blue Mountains. The Blue Mountains, including Katoomba, is the traditional land of the Gundungurra people and indigenous habitation of the Blue Mountains dates from around 22,000 years ago. The name ‘Ka-toom-bah’, is thought to have emanated from local indigenous people and when translated is said to mean ‘place of many waterfalls.’
It is a popular destination for day-trippers from Sydney and international travelers both lured there by its country town main street, cafes, galleries, and antique shops. But for a photographer, Katoomba is much more than that.
Katoomba is a spiritual and visual mother lode; palpable indigenous peoples ancient history, white man’s recent history, a kaleidoscope of architecture from Federation to now. Local people, who have ‘creativity’ as an in-common gene, bewitching light, impossible mountain landscapes, old trees that reach for the sky, all of which make your heart miss a beat and ask, ‘why has it taken me so long to be here.’
Workshop Overview: This workshop is open to photographers who practice any genre and are at any level. We promote, support and are all inclusive of female photographers.
Award-winning documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, the acclaimed photographer, and filmmaker. Both Stephen and Jack will critique and edit participants’ work one-to-one, and also take part in evening projections and discussions.
Individual and group sessions are held to dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your style. The workshop is very project based as opposed to technically driven.
The aim is to produce a photo-essay with a striking visual narrative, to be projected on the final evening of the workshop.
The workshop’s schedule will be demanding but highly rewarding.
Application: The workshop is strictly limited to 12 participants. A AUS$500 deposit will be required at the time of booking to secure a place. This will be a popular workshop; please book early to avoid disappointment.
Tuition Cost: AUS$1950
Cost includes all workshop sessions. Cost is not inclusive of travel and accommodation.
To receive further information or to request a registration form, please contact: Jack Picone: or Stephen Dupont:
Jack Picone
Stephen Dupont

One to One Tuition 10% discount (between 1st – 31st March, 2017 only)

In Workshop News on December 4, 2016 at 2:21 AM

One to One Tuition

10% discount (between 1st – 31st March 2017).


One – to – one participant Sandy Edwards during her tuition in Bangkok © Photograph by Jack Picone.     

“Thank you for a wonderful, informative, learning, fun, Buddhist, photography week in Bangkok”.

~ Sandy Edwards

Join Jack Picone for one – to – one photography tuition designed to address your photographic needs! It will be an extraordinary experience!

What I teach you can’t be found on YouTube!

Tuition Costs  $US445 per day & $US335 per half day

What I teach can’t be found on YouTube

With discount: Now $US400.50 and US$301.50


*Discounts apply for couples and groups and for sessions five days and longer.

*Concerning cost: Cost is below my day and half day rates that I bill editorial clients as a professional photographer. I have been working in excess of thirty years as a professional photographer for the world’s leading media publications. I have a Masters in Visual Arts and  a Ph.D. in Documentary Photography.  What I impart during one-to-one tutorials cannot be found on a YouTube video. What you take away is; knowledge that you will be able to apply over and over again to your own photography, elevating the aesthetic of your authored images – hyperbolically. 

Reportage Photography Workshops tutor Jack Picone delivers one-on-one tuition to individuals and groups (up to four) in Thailand and neighboring Asian countries. One-to-one tuition is for people who are interested in fast-tracking their photographic skill and vision.

Tuition can be individually structured to accommodate photographers learning requirements.

Jack is a working photojournalist and documentary photographer with extensive experience as a photography educator.


(Above and below) One-to-one participants at work in Bangkok’s urban slum area, Khlong Toei.



On location shooting instruction, intensive post-shooting editing, critiquing, sequencing and basic Photoshop.


On a rolling basis 2016-2017. Book early to secure your ideal dates.


(Above) Jeffrey Jue with local Nepalese photographer Sailendra Kharel, during a one – to – one tutorial in Kathmandu in Nepal.


To receive further information about one – to – one tuition or to request a registration form, please contact: 


Jack Picone

Please Note: We advise that all participants take out medical/travel insurance for travel to Asia.


A Near Perfect Encapsulation For What a ‘Good Picture’ Should Do.

In Ethics on November 5, 2016 at 12:19 PM

“If it makes you laugh, if it makes you cry, if it rips out your heart, that’s a good picture” ~ Eddie Adams


Gen. Nguyen Ngoc Loan (above), chief of the South Vietnamese national police, firing his pistol into the head of a Vietcong prisoner, Nguyen Van Lem, on a Saigon street during the Tet offensive on Feb. 1, 1968. (Eddie Adams/Associated Press)


A combat photographer since the Korean War, Eddie Adams joined the Associated Press team in Vietnam in 1965. He became famous for his 1968 photograph of Gen. Nguyen Ngoc Loan, chief of South Vietnam’s national police, shooting a Viet Cong prisoner in the head. Adams later regretted the picture’s notoriety, preferring to be remembered for his images of Vietnamese refugees after the war.

Adams’s time covering the war and the searing photograph above marks fifty years since the start of America’s first televised war and is symbolic of how dramatic stories authored by photojournalists and journalists brought news about the war to the rest of the world.

Fujifilm x/100s

In Street Photography on August 13, 2016 at 7:14 AM

Even though a reasonable amount of time has eclipsed since Fujifilm launched [2013] the x/100I still find myself imbued with it. It is intuitive to use, produces technically superb files and is discreet. Here is a link to a short video of me using it while in Burma or now as it is known Myanmar.



A mother cares for her son during a ferry crossing on the Irrawaddy River Yangon, Burma.                                                                                                                           

        Photograph by © Jack Picone


In-Print | A Small Selection Of Magazine Tear Sheets

In Photography News on April 4, 2016 at 3:29 AM

The interaction between photographer and designer is an often fractious one. Competing agendas can ensue. Some designers view photographs as creative visual building blocks that are merely part of an end design.
Most photographers view their authored images as sacrosanct. They strongly object to their photographs being altered – in any way – to fit a preordained design.
Sparks can fly!
Below are several examples of where a confluence of design and photography have found a creative and aesthetic balance.


JackPicone_LE'Xpress_Mag_Web-0                                                                    • L’Express Magazine, France.



                                • L’Express Magazine, France.


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                               • Dynasty Magazine, China.

JackPicone_GOODWEEKEND--MAG-SPREAD_-21                          • Good Weekend Magazine, Australia.


JackPicone_Magazine_Spreads_CondeNastTraveller_Web-5 copy

                        • (Above and below) The Financial Review Magazine, Australia.



                                       • The Financial Review Magazine, Australia.



                        • Above (2x) Foreign Policy Magazine, USA.


                       • The Saturday Independent Magazine, UK.





                                       • (Above 3x) Mare Magazine, Germany.


                       • Marie Claire Magazine, Australia.


                                       • The Independent On Sunday Magazine, UK.


JackPicone_TIME-MAGAZINE-COVER_Web-1 JackPicone-TimeMag_Web_1

                                               • (Above 3x) TIME Magazine.


                                                              TIME Magazine.

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                                       • (Above 2x) ‘COLORS’ Magazine


                        • L’Express Magazine, France.


                                         • Kultur Magazine, Germany.


                                        • The Observer Magazine, UK.



                                        • (Above 2x) TEMPO Magazine, Germany.


                                       • Al Jazeera Magazine, Qatar.


                       • HQ Magazine, Australia.


                                       • Al Jazeera Magazine, Qatar.


                                                                                        • TIME Magazine.


                                                                                        • Worldview Magazine, USA.

Turning The Tide

In Random Moments on March 7, 2016 at 10:07 AM

Thailand’s village of Samut Chin: Turning the tide

The Thai village of Samut Chin is drowning in an invading sea, with little stopping the advancing more


The local village shop acts as a meeting area for Ban Khun Samut Chin village community © Jack Picone


The local village shop acts as a meeting area for Ban Khun Samut Chin village community © Jack Picone


Bamboo breakwaters that were built several years ago to ‘break’ the power of the surf and protect Ban Khun Samut Chin village have only been partially successful. Submerged trees and mangrove saplings that have drowned in the advancing seawater are clearly visible. © Jack Picone


Submerged telegraph poles tapering off into the distance. These poles act as visual markers for where Ban Khun Samut Chin village was located before it was claimed by the sea.  © Jack Picone


Fishing and shrimp farming are the mainstays and principal sources of activity and income for Khun Samut Chin village. Even small rises in sea level throws out the delicate environmental balance of shrimp farming.  © Jack Picone


 Fishermen motor out to sea past the breakwaters that were built several years ago in an effort to “break” the power of the surf and protect Ban Khun Samut Chin village © Jack Picone


Three of the five monks remaining at Samut Trawat temple suspend Thai flags to poles along the entrance walkway.  © Jack Picone


The principal Buddha statue at Wat Khun Samut Trawat faces the advancing sea.  © Jack Picone



At twilight, a resident Monk from Wat Khun Samut Trawat gazes out to sea and says, “That is where our village once was”.  © Jack Picone

~ Ends.


In Photography News on October 9, 2015 at 1:04 PM

The Girl On The Postcard – Al Jazeera Magazine.

Words and Photographs by Jack Picone.


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JackPicone_Kayan-LR-7                 © Photograph by Jack Picone. Portrait of Ma Da. Nai Soi. Thai – Burma Border.

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JackPicone_Kayan_LR-9               Portrait of Ma Da. Nai Soi. Thai – Burma Border. © Photograph by Jack Picone.

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A souvenir stall at Nai Soi village. The diagram shows how the collar bone and rib cage are pushed down by the rings to create the illusion of a long neck.A souvenir stall at Nai Soi village. The diagram shows how the collar bone and rib cage are pushed down by the rings to create the illusion of a long neck.  © Photograph by Jack Picone.

JP-PhD_KAYAN-LR-13This Spanish tourist took the brass ring from a Kayan woman and put it over his head. He thought it was funny and so did his friends. Few tourists who visit the village of Nai Soi really understand that it is in fact a refugee camp they are visiting and that the Kayan people they are photographing, videoing and gawking at are effectively imprisoned. Mae Hong Son, province Thai-Burma border. © Photograph by Jack Picone.

JackPicone_Kayan_Women-LR-1A Kayan woman baths wearing her brass coil. The coil is made of heavy brass weighing around 10lbs it takes significant effort for her to support her neck as she bathes. Nai Soi, Mae Hong Son, Thailand. Mae Hong Son, province Thai-Burma border. © Photograph by Jack Picone.

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Reflection of Kayan woman. The small triangular mirror is used by the Kayan woman as they groom themselves. Mae Hong Son, province Thai-Burma border. © Photograph by Jack Picone.Screen Shot 2015-10-08 at 6.07.10 PM


Postscript: For accuracy sake please be aware that Ma Da, the young female subject in my earlier photographs, died in the Nai Soi camp at the age of 22 from a stomach illness caused by the insanitary conditions at the camp. Mae Hong Son, province Thai-Burma border.

Exclusive book signing at Ballarat International Foto Biennale, August 22.

In Photography News on August 11, 2015 at 5:30 AM

Stephen Dupont will be signing copies of his new book published by Steidl titled Generation AK: The Afghanistan Wars 1993 – 2012. This will be a first time signing of the book. Go along to the Art Gallery of Ballarat on Saturday August 22nd between 2pm and 3pm to purchase books. Stephen will also have some of the last limited edition copies of Piksa Niugini available and more of his books. 1510687_117759638564598_746103430785015757_nAlso Stephen and myself are taking bookings for our next workshop event in Havana, Cuba Dec 6th – 11th. Click here  for further details.  All enquires to and


Bangkok Weekend Photography Masterclass | Nov. 28th – 30th | 2014

In Workshop News on November 20, 2014 at 7:02 AM

General Overview of Bangkok Masterclass

by Nic Dunlop and Jack Picone

JackPicone-BKK_Masterclass-0Street photograph on Silom Road, Bangkok © by Jack Picone 

Documentary photographer Jack Picone will work in tandem with masterclass guest tutor Nic Dunlop , acclaimed photojournalist and filmmaker. Both Nic and Jack will work closely with participants critiquing and editing their authored work.

An introductory get-together and projection will be held on the evening of the 28th (Friday) at, The Jam Factory. Also, on the first evening and just like any working photographer, you will be given an assignment. In this case, the assignment will be a ‘Word’ to interpret as you wish.

The aim is to produce a short photo essay with a striking visual narrative, to be shown on the final evening of the masterclass.

Nic and Jack will be on hand constantly to help navigate any areas of difficulty and discuss all your photographic concerns, hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story and how to hone your personal style. The masterclass is very project based as opposed to technically driven and open to all regardless of level of photography. We explore art, travel and traditional social documentary genres.

The masterclass schedule will be challenging, fun and highly rewarding.

Date: November 28th – 30th (Friday evening to Sunday)

Location: The Jam Factory, Bangkok.

Address: 41/1-5 เจริญนคร Khlong San, Bangkok 10600

Phone: 02 861 0950

To Bring: A laptop computer. A digital camera (size and format not important). If you would like to use a cell phone camera – it is okay.

Skill Level: Open to all.

Registration: The Masterclass is strictly limited to 10 participants. Places will be awarded on a first-come, first-served basis.

Cost: $US495.00 Includes all Masterclass sessions. Masterclass cost does not include travel costs to Bangkok and accommodation or travel insurance.

This Masterclass will be particularly popular and will fill fast, so please don’t leave making your full payment to the last minute to avoid disappointment.

For further details and/or to request a registration form please mail Jack Picone: and Nic Dunlop: