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Posts Tagged ‘Street Photography’

A Nation Continues To Mourn

In Random Moments on November 11, 2016 at 7:54 AM

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                                                                                                      Photograph by © Jack Picone

Above: A digital screen playing historical video of  King Bhumibol Adulyadej of Thailand who died on 13 October 2016 after a long illness is reflected in rainwater near Bts Chong Nonsi, Bangkok.

The private sector has canceled all entertainment activities planned for the upcoming Loy Krathong, Christmas and New Year. Though the government has indicated that these activities can be resumed after the ending of the 30-day mourning period on November 14.

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Poetry and Photography

In Photography News on October 1, 2016 at 3:04 AM

Recently, I have been collaborating creatively with the poet, Kit Kelen. I have been posting photographs and Kit has been writing poems to accompany my photographs. Seeing poetry and photography collectively, as opposed to singularly is a  journey into a new creative landscape.

Over coming days I will post a small random selection of Kit’s poems. You can also visit this link and below to view Kit’s blog for this project titled 365+1. You’ll find a plethora of great poetry and art from other contributors.  

Kit Kelen – Series with Jack Picone’s Photographs – #14 – the fire at dawn, the waiting 

 14

the fire at dawn, the waiting

is it the bones show through?

is it the where-they-are waking?

so sombre silent still

as if the sky were nothing

as if they were earth already

they compose themselves

for eternity’s frame

have they fallen from great heights to here?

are they stones sprung up in flesh?

I ask because

I just don’t know

what any of this means

                      © Photograph by Jack Picone

Young PNG Highlanders at the crack of dawn. Mt. Hagen, PNG.

In-Print | A Small Selection Of Magazine Tear Sheets

In Photography News on April 4, 2016 at 3:29 AM

The interaction between photographer and designer is an often fractious one. Competing agendas can ensue. Some designers view photographs as creative visual building blocks that are merely part of an end design.
Most photographers view their authored images as sacrosanct. They strongly object to their photographs being altered – in any way – to fit a preordained design.
Sparks can fly!
Below are several examples of where a confluence of design and photography have found a creative and aesthetic balance.

 

JackPicone_LE'Xpress_Mag_Web-0                                                                    • L’Express Magazine, France.

 

 
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                                • L’Express Magazine, France.

 

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                               • Dynasty Magazine, China.

JackPicone_GOODWEEKEND--MAG-SPREAD_-21                          • Good Weekend Magazine, Australia.

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                        • (Above and below) The Financial Review Magazine, Australia.

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                                       • The Financial Review Magazine, Australia.

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                        • Above (2x) Foreign Policy Magazine, USA.

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                       • The Saturday Independent Magazine, UK.

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                                       • (Above 3x) Mare Magazine, Germany.

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                       • Marie Claire Magazine, Australia.

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                                       • The Independent On Sunday Magazine, UK.

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                                               • (Above 3x) TIME Magazine.

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                                                              TIME Magazine.

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                                       • (Above 2x) ‘COLORS’ Magazine

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                        • L’Express Magazine, France.

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                                         • Kultur Magazine, Germany.

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                                        • The Observer Magazine, UK.

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                                        • (Above 2x) TEMPO Magazine, Germany.

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                                       • Al Jazeera Magazine, Qatar.

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                       • HQ Magazine, Australia.

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                                       • Al Jazeera Magazine, Qatar.

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                                                                                        • TIME Magazine.

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                                                                                        • Worldview Magazine, USA.

Random Street Portrait

In Random Moments on February 7, 2016 at 5:08 AM
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                                                                                         Photograph by © Jack Picone


The people you see on the way back from the launderette.‘You Need Eyes In The Back Of Your Head’.

Cuba 2018 Workshop

In Photography News, Street Photography, Workshop News on September 4, 2015 at 12:03 PM

Havana, Cuba Workshop: Nov. 18th – 22nd, 2018

Register for our Havana, Cuba Workshop!unnamed               © Photograph by Stephen Dupont

Don’t miss this special opportunity to join us in Havana before it all changes. This is the last opportunity to document and experience Cuba before it transitions to modernity.

Secure a place with a US$500 deposit.

We will fast track your photography authorship to a higher aesthetic. This workshop is open to all regardless of your level of photography practice.

Documentary photographer Jack Picone will work in tandem with workshop partner Stephen Dupont, acclaimed photojournalist and artist. Both Stephen and Jack will critique and edit participants’ work one-on-one, and also take part in evening projections and discussions.

An introductory get-together will be held on the evening prior to the workshop’s formal start in Havana. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced prior to the workshop to give you time to research possible subjects before you arrive.) The aim is to produce a documentary photo essay with a striking visual narrative, to be shown on the final evening of the workshop.

Cost: A special price of US$1,850 includes all workshop sessions. Workshop cost does not include travel costs to Cuba and accommodation. A US$500 (non-refundable secures a place on the workshop) with the balance to be paid no less then one month before the workshop starting date.

Final deadline for registration is Thursday, Oct. 18th.

Application: Our workshops are strictly limited to 15 participants. Havana is a very popular workshop destination, so please do book early to avoid disappointment.

To receive further information about Havana or to request a registration form, please contact: jack@jackpicone.com and/or stephendupont@bigpond.com

Links:

Jack Picone

http://www.jackpicone.com/

Stephen Dupont

http://www.stephendupont.com/

Please Note: We advise that all participants take out medical/travel insurance for the Cuba workshop. Also, due to unforeseen circumstances workshop dates can be subject to change. However, this is rare.

 

The Controversial Mr Gilden

In Ethics, Street Photography on August 15, 2015 at 5:43 AM
Gilden has always been a controversial figure.
Vice Magazine recently published Gilden’s photoessay titled ‘Two Days in Appalachia’. Controversy followed the publication of Gilden’s photographs and Gilden’s modus operandi is yet again under question.
PhotoShelter’s Allen Murabayashi has published an interesting piece at PhotoShelter Blog that encapsulates all the protagonists involved  in the ongoing controversy.
Gilden’s work has always had an element of  ‘does the end justified the means’?
His work is raw and unforgiving not unlike the man himself.
Roger May’s questions if Gilden has empathy or indeed if that his work has a complete absence of empathy – is a good one. I hear some empathy in Gilden’s rhetoric in the way he speaks about the people people he photographs during the short film linked in the interview. Observing Gilden photographing on the streets of NY, I see him range from zero empathy and peak at a modicum of empathy. At one point he is telling a passing woman to put her scarf on so she won’t get cold then almost in the same breath commenting on another woman’s boots as “fucking ugly”. In part this displayed empathy or lack of it could be attributed to the random task at hand – street photography.
two-days-in-appalachia-0000687-v22n7-600-1435773723-size_1000Harlan, Kentucky, Saturday, June 6. Destiny, Amber, and Serenity at the Harlan County Poke Sallet Festival.
© Photograph by Bruce Gilden 
I think the comments (in the comments section below the Vice interview)​ from r​etired Social Worker Sharon Hurley a native Appalachian are incredibly insightful. They remind us all as photographers about how credible or not our documentation of people can and isn’t once our pictures are published.​ Sharon says, “His work is not reflective of the softness and peacefulness of life but of the harshness. Technically, his work is excellent and evokes reaction. Obviously, he does not care that the images he presents is not representative of an entire community whether it is in Japan, Detriot , London or Appalachia​”​.

two-days-in-appalachia-0000687-v22n7-765-1435773764-size_1000Saturday, June 6. Tammy at the Harlan County Poke Sallet Festival. © Photograph by Bruce Gilden

​Back to the video featuring Gilden: Gilden is heard saying that he finds some of his photographs beautiful. Further that if he didn’t photograph these people they would go unnoticed. Indeed, he recounts a conversation with one of the women he has photographed in the most unforgiving way. He says that she says (after he shows her the photograph he made of her) that she thinks he made her look beautiful in the photograph.
So is his work devoid of empathy? As always the question is both complicated and subjective.
And within the preceding context of complexity and subjectivity — personally — I questioned whether Gilden’s photographs leave the people he has photographed with their dignity uncompromised? Of course, dignity is also a complex and highly subjective notion. Though and said objectively most people are innately aware when they have not treated another person with requisite respect.
Interestingly, dignity and empathy are at times interconnected. It could be suggested that it is difficult to leave the people one has photographed with their dignity intact without first showing them empathy.
~JP

Bangkok Weekend Photography Masterclass | Nov. 28th – 30th | 2014

In Workshop News on November 20, 2014 at 7:02 AM

General Overview of Bangkok Masterclass

by Nic Dunlop and Jack Picone

JackPicone-BKK_Masterclass-0Street photograph on Silom Road, Bangkok © by Jack Picone 

Documentary photographer Jack Picone will work in tandem with masterclass guest tutor Nic Dunlop , acclaimed photojournalist and filmmaker. Both Nic and Jack will work closely with participants critiquing and editing their authored work.

An introductory get-together and projection will be held on the evening of the 28th (Friday) at, The Jam Factory. Also, on the first evening and just like any working photographer, you will be given an assignment. In this case, the assignment will be a ‘Word’ to interpret as you wish.

The aim is to produce a short photo essay with a striking visual narrative, to be shown on the final evening of the masterclass.

Nic and Jack will be on hand constantly to help navigate any areas of difficulty and discuss all your photographic concerns, hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story and how to hone your personal style. The masterclass is very project based as opposed to technically driven and open to all regardless of level of photography. We explore art, travel and traditional social documentary genres.

The masterclass schedule will be challenging, fun and highly rewarding.

Date: November 28th – 30th (Friday evening to Sunday)

Location: The Jam Factory, Bangkok.

Address: 41/1-5 เจริญนคร Khlong San, Bangkok 10600

Phone: 02 861 0950

To Bring: A laptop computer. A digital camera (size and format not important). If you would like to use a cell phone camera – it is okay.

Skill Level: Open to all.

Registration: The Masterclass is strictly limited to 10 participants. Places will be awarded on a first-come, first-served basis.

Cost: $US495.00 Includes all Masterclass sessions. Masterclass cost does not include travel costs to Bangkok and accommodation or travel insurance.

This Masterclass will be particularly popular and will fill fast, so please don’t leave making your full payment to the last minute to avoid disappointment.

For further details and/or to request a registration form please mail Jack Picone: jack@jackpicone.com and Nic Dunlop: nic@nicdunlop.com

 

 

 

 

Documentary Photographer Jack Picone Interviewed In Vice Magazine

In Photography News on August 18, 2013 at 8:02 AM

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 Photograph: Jack Picone at work in Bangkok during Thailand’s political discord in 2010.

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                                  Angolan civil war © Photograph by Jack Picone

Documentary photographer Jack Picone interviewed by Vice Magazine Jack  about working in the short term in conflict zones and working in the long term as a documentary photographer on social issue based subjects. Read the full Q & A here.

Panorama | Work in Progress | 71 – Degrees

In Street Photography on December 10, 2012 at 8:22 AM

71 – Degrees | by Jack Picone

The images in this gallery have all been made on the Hasselblad X-Pan 1 and the Fuji TX-1 essentially, they are exactly the same camera just branded differently.

Both these cameras are relatively small 35mm film cameras that can produce striking unbroken images across a full 71- degree field of view (the normal field of vision of the human eye, by contrast, is only about 45 degrees). The resulting photographs make concrete the concept of the panorama — quite literally, to “see all.”

I take these cameras with me everywhere I go. They are my, “I am taking my cameras for a walk” cameras. Pictures in this slide gallery are from Bangkok, Hong Kong, Macau, Bali, South Africa, Kenya, Sri Lanka, Kathmandu, Laos, Cambodia China and Australia.

The trick with using these cameras is not to rely too heavily on the actual panorama format in an effort to make your images  more aesthetically interesting. This would be clichéd. It is really about using the panorama format in conjunction with compelling composition. If there is a confluence of  both these variables it is possible to elevate your images to a higher aesthetic plane. The latter sadly, I have yet to achieve with the work here.

I am on a creative cusp! I am close I can feel it, Exciting!

Jack Picone

PEACE

In Photography News on November 3, 2012 at 3:10 AM

The photography collective, ˚South (Degree South), will launch its latest exhibition, “PEACE” at the Tanks Arts Centre  in Cairns, in Far North Queensland, on Friday 23rd November.   The photographs for this exhibition have been printed on Fujifilm Crystal Archive PD paper as part of Fujifilm’s sponsorship of the exhibition.

                                                                                                                               © Photograph by Jack Picone

“PEACE”, which follows Degree South’s WAR exhibition and book, features photographs from the Collective’s members – Tim Page, Michael Coyne, Jack Picone, David Dare Parker, Ben Bohane, Stephen Dupont, and Ashley Gilbertson – who have selected photographs they believe reflect their notion of peace. The exhibition also includes photographs from Sean Flynn, who is listed as missing in action in Cambodia since 1970, and whose archive falls under the Degree South banner.

For further exhibition details please read  here:

• Jack Picone