Archive for the ‘Workshop News’ Category

The Weather Forecast Kathmandu

In Workshop News on June 19, 2011 at 12:26 PM

Could be useful for participants joining us for our upcoming workshop in Kathmandu.

The Weather Forecast in Kathmandu


Workshop in Motion

In Workshop in Motion, Workshop News on April 9, 2011 at 1:59 AM

Get an insight into The Jack Picone Photography Workshops in motion.

Featuring Tim Page as principal tutor and acclaimed photographer and film maker Stephen Dupont.


‘More Money On Fancy Equipment’

In Workshop News on April 8, 2011 at 10:47 PM

If you want to take a picture as beautiful as this image of this Nepalese child, you can either hope for some extraordinary fluke of light, timing, subject matter and hardware — or you can sign up for The Jack Picone Photography Workshops. Award-winning Australian documentary photographer Jack Picone — who took this shot — leads these intensive , one-week courses for dedicated amateurs hoping to take their photography to the next level. Held two or three times a year in various Asian cities (the next is scheduled for Kathmandu in July 2011), the courses have previously featured guest lecturers such as the legendary photojournalist Tim Page and celebrated war photographer Philip Jones Griffiths. There are no more than 12 to 16 participants at a time, and all are thrown in at the deep end — tasked with producing a professional-quality photo essay by the end of the week. To help them, there are robust discussions, sessions of one-on-one tuition and nightly show-and-tells, during which each day’s images are critiqued. Fees range between $2,400 and $2,700. It isn’t cheap, and does not include accommodation and flights — but, there are hobbyists and those obsessed with photography who spend infinitely more on fancy equipment but still can’t produce an arresting image.

Don’t be one of them.

For more information, mail Jack, and visit

Original article by Liam Fitzpatrick published in the Global Advisor section of TIME  magazine.

Interview with Livebooks

In Workshop News on April 8, 2011 at 10:44 PM

The Jack Picone Photography Workshops profiled in an interview with journalist Miki Johnson for Livebooks.

For a behind the scenes insight into the philosophies underpinning  The Jack Picone Photography Workshops please view here RESOLVE:


Workshop Testimonials

In Workshop News on April 8, 2011 at 10:34 PM
Below is a selected edit of testimonials from former participants who have attended The Jack Picone Photography Workshops.

“For me, the Kathmandu workshop has been an unforgettable and very inspiring event in my life. Now after one week, looking back, I have only one word to summarize this experience: … wowww!!! It was a pleasure and honor to participate. Apart from the very professional instructions and guidance on photography from Jack and Stephen, it was amazing to discover that it is not only a great photo that counts, but also the passion, vision, social/cultural involvement and messages of a great person behind all the work that was shared with us”.
Merci beaucoup!
Steven Van der Kruit

Would I advise friends to do this workshop? YES
Would I do it again?
YES overseas to live a different experience and see a new place
Did I get out of the class what I expected?
YES a lot more than what I expected.
Andrea Francolini
“I had a very enjoyable time at the workshop and feel that I accomplished what I set out for – that is to hone my skills, learn new skills and become better able to take pictures of life here.  It was a wonderful experience and I think I took some of the best pictures that I have ever taken, so I’m completely chuffed”.
Luke Stephens
Just wanted to say a big thank you to Jack for saying and insisting, “what’s your narrative about – tell me – I want to know”. To David for pushing me to explore things and persisting when I had a mini crisis about it. To Steve for your artistic sensibility, sharing of your work and for questioning the suitcase shot. To Ed for your patience, encouragement and contemporary eyes for things. I was lucky to be part of it. Cim Sears
I thoroughly enjoyed the Masterclass experience. All four mentors offered sensitivity, encouragement and insight and were able to see the possibility of my work and push me to my strengths. Even though the critiques were casual the comments were direct and informed. After each critique the bar was set that bit higher, as a consequence I was pushed into unfamiliar territory and subsequently into getting more interesting shots. The mantras “1 in 15” and “you don’t know until you go” keep me shooting and persisting. As a result I built my confidence, resilience and stoked my photographic fire.
“I have to say that I really enjoyed the week (even though it was hard work!) and felt that my photographic eye and technique improved significantly…I benefited greatly from the session with Jack and Steve in putting together my final selection for the showing on the final day – and the group praise from the panel afterwards was reassuring”.
Kieron Crawley
‘’I think what the Workshop is doing great is to give a different perspective to those pictures we “usually see without seeing”… and this is great and very refreshing! And also the Workshop has 100% fulfilled its expectations for me in terms of “inspiring people”! Great job!
I’ve learn’t  a lot from the workshop, a total new experience and can’t wait to go in the street taking pictures again’’.
Cecile Ducreux
“Don’t miss the opportunity of learning photography with photojournalist Jack Picone. He is a unique combination of professional photographer, local guide, and best friend. Work at your own pace. Have Jack review your images on a daily basis, discuss your shots in-depth, or shoot eight hours a day. He will let you know what to look for in a scene and be able to gain access into intimate situations. Jack is a photojournalist on a Magnum and National Geographic level with a passion for teaching. Take your photography to the next level and enjoy a memorable travel experience too”.
Jeffrey Jue
“Without a doubt the most inspiring six days I’ve ever experienced. I was inspired to develop my own style and to follow what I believe to be true to me, and more importantly, to go out and have fun! Thanks again for a fantastic six days. I went out to Kings Cross and I’m confident I’ve taken some of my best shots for my project immediately following the workshop… oh! and I’m shooting in film now. That’s how influential Jack, Stephen and the guest speakers where, to the point of experimenting with a different medium”.
Ian Flanders
“The Jack Picone Photography Workshop” was an extremely valuable experience. It was an immense help to me to hear Jack and Steve both talk about their work, the changing world of photojournalism, and what it takes to be a photographer in this day and age. Not only that but their expert advice in relation to photographic techniques, equipment and critique was immensely beneficial. It was also a great opportunity to meet other talented photographers within the workshop. I highly recommend this workshop to anyone with the desire to extend their documentary/photojournalism photography. It was a very inspiring few days.”
Zoe Morley“I attended the Sydney Workshop even though I don’t necessarily want to specialise in photojournalism. I found that the learning was applicable across all photographic disciplines. I came away with more knowledge and confidence about framing, composition and storytelling – what makes a great shot. But possibly the greatest thing I took away from the workshops was inspiration. To hear the stories and see the pictures made by world class photographers like Jack Picone and Stephen Dupont renewed my energy to shoot and my passion for photography. The range of other presentations from legends of the industry like Tim Page and others only value added and widened the appeal and scope for me. I found Picone and Dupont to be frank and honest in their critique of my work and yet sufficiently gentle in their suggestions and friendly nature not to crush my spirit.  I’ve found it very difficult to get honest and considered feedback on my photography over the years – but I found it at the workshops. I would encourage anyone who was thinking about attending one of their workshops to do so.  The more you put into it, the more you’ll get back.”
Tim Anger
“This was an excellent workshop, with some outstanding international photographers coming in to show us their work, and to tell us their story. It was very inspiring. For me the best part was absolutely the critique of the images being taken, as it is very hard to get good honest critique, and to have the photos that you have just taken really given a working over was a very good experience and offered good insight into what other people are looking at and experiencing with the photos. The theme of photographing ‘Hope’ was also very interesting, as this was the first time I had been given such an assignment, and it was very helpful to see my thought processes that I went through.“At 21 I was probably the youngest person in the workshop, possibly with the least experience, but this was no barrier; everyone was an equal, everyone has constructive criticism, everyone had a story to tell, it was really lovely being in such a group. Given the opportunity, I would not hesitate to recommend this on to others, or to participate in the workshop again.”
Mitchell Mathieson
“The workshop was a chance to get up close and personal with 2 (Picone and Dupont) outstanding members of the professional photographic community as well as the guest presenters who were all amazing in their own right. I especially enjoyed the opportunity to meet, discuss and interact with the other students in an open forum. I will be using my experience as a foundation for my photographic style which will no doubt benefit from the valuable guidance I received”.
David Gross“I shot a lot of photos and I gained enormous insight into the editing process in regard to how to tell various stories from the one body of work. I also greatly appreciated the guidance in refining my shooting techniques. The relaxed environment was surprisingly conducive to learning and the opportunity to listen in on critique sessions of other participants was particularly insightful”.
Trish Macris
“For me the Sydney workshop was really valuable, not only in the obvious ways, but also in the quiet moments of conversation, discussions and image reviews.  Spending time with photographers actually successful in their vocation was something that made it all very tangible. It was truly valuable to see portfolios of work by high quality, significant photographers and their personal commentary as they presented their own work…  Stephen’s work on PNG and increasing focus on the anthropological aspect of his art, Dean Sewell talking about his influences from the moment of that first image of the girl in a park terrified by a barking dog, his work in Redfern and motivations etc.  Jack’s work on he Thai-Burma border and pearls of wisdom throughout the week, Tim Page’s extraordinary body of work during the Vietnam war, and documenting the impact of agent orange since then.  I found the reviews of my own work and the work of my colleagues really helpful. Tim Page’s brutally frank reviews were really helpful and an eye-opener.  Jack’s thoughtful insight into what makes a good and interesting photograph resonated deeply.  Stephen’s eye and wholistic view when it came to image selection, editing and presentation was excellent.  I came away with a great appreciation and respect for the photographers we spent time with and more clarity for my own path ahead”.
Kate Baker
‘I learned a lot. The shooting assignment was a brilliant idea… scary, but brilliant. Not only did it provide a platform to be critiqued by Jack and Steve, but I personally felt really encouraged to push myself. I found Jack and Steve’s passion for photography, encouragement and aiming for excellence very contagious. Having additional visiting photographers share their stories as well as just being really inspired by the creative energy of the other participants in the workshop all round made for a great week. I think I was on a high all week… I thoroughly recommend it!!’

Nepal: The Political Landscape by Ed Giles

In Workshop News on April 8, 2011 at 10:20 PM

Ed will join us on our upcoming workshop in Kathmandu, 11th-16th July as guest Tutor.

View Ed Gile’s lyrical, NEPAL: THE POLITICAL LANDSCAPE // 31 PHOTOS here:

Roger Hutchings is announced as principal tutor on the Kathmandu workshop

In Workshop News on March 24, 2011 at 5:44 AM

Roger Hutchings is one of Britains most noted documentary photographers.

He studied at Newport College of Art in Gwent then worked for the London Observer in both home and foregin affairs.

He has taught, lectured and broadcast on photography and was a tutor at the World Press Joop Swart Masterclass in 2001 and the chairman at the World Press Photo Jury in 2002.

We are honoured and excited to have Roger  join us as principal tutor on the Kathmandu Workshop 11th July-16th July 2011.

To view Roger’s work click here:

All enquires about the 2011 Kathmandu Workshop email me

Hotel Vajra

In Workshop News on February 22, 2011 at 4:15 AM

The Hotel Vajra is the venue for our upcoming workshop in Kathmandu

Please view the Vajra’s website here:

For participants attending our next workshop in Kathmandu 11th July-16th July 2011 and wanting to stay at the venue,  please mail the Vajra direct to book  your accommodation:



In Workshop News on February 5, 2011 at 10:56 PM
For an insight into The Jack Picone Photography Workshops please view this profile below by designer, photographer, writer and workshop participant Tim Anger.

The Beauty and the Darkness

by Tim Anger

KATHMANDU/NEPAL 11th July-16th July

In Workshop News on February 3, 2011 at 7:45 AM

On a street corner Kathmandu, Nepal.     Photograph Jack Picone

11th July-16th July
The Jack Picone Photography Workshops

A Dupont and Picone Event

The Jack Picone Photography Workshops is a series of photography workshops on location in the most fascinating cities and outposts of Asia. Interacting closely with world-renowned photojournalists with long experience in the region, participants take on assignments aimed at advancing their photographic skills and vision. The intensive dawn-to-dusk courses involve challenging fieldwork, formal and informal critiques, editing sessions, evening projections and open discussion. In a stunning Asian setting, participants fully engage with the local culture and environment, and learn how to create photographic reportage to the highest standard.


KATHMANDU/NEPAL 11th July-16th July

The Jack Picone Photography Workshops will hold its next roving workshop in Kathmandu. Kathmandu is one of the world’s most atmospheric cities. Even as urban chaos encroaches, this “city at the top of the world” retains its unique aura of magic, mysticism and tradition. Over the past few years its roughly one million inhabitants, who are squeezed tightly into the Kathmandu Valley, have also been experiencing a period of major social and political turmoil – from a fierce Maoist insurgency, government curfews and censorship to mass demonstrations against royal rule and killings of protesters. Democracy was restored in 2006 amid jubilation, and the Maoists have since joined an interim government. Today, many Nepalis believe their country has entered a new era of hope and peace.

What the Travel Guides say:
“Draped along the spine of the Himalaya, Nepal is a land of sublime scenery, time-worn temples, and some of the best hiking trails on earth. It’s a poor country, but it is rich in scenic splendor and cultural treasures. The kingdom has long exerted a pull on the Western imagination. Kathmandu is really two cities: a fabled capital of convivial pilgrims and carved rose-brick temples, and a frenetic sprawl of modern towers, mobbed by beggars and monkeys and smothered in diesel fumes. It simultaneously reeks of history and the encroaching wear and tear of the modern world.” – Lonely Planet

“How to describe Kathmandu? A medieval time capsule? An environmental disaster area? A pleasure dome? A tourist trap? A holy city? All of the above. There are a thousand Kathmandus, all layered and dovetailed and piled on top of one another in an extravagant morass of chaos and sophistication. Though its population barely tops 700,000, Nepal’s capital is far and away its biggest and most cosmopolitan city: a melting pot of a dozen ethnic groups, and the home town of the Newars, Nepal’s master craftsmen and traders extraordinaire. The city, though squeezed by traffic and commercial pressures, is still studded with ageless temples and splendid architecture. Its narrow lanes seethe with an incredible crush of humanity, echoing with the din of bicycle bells, religious music, construction and car horns, and reeking of incense, spices, sewage and exhaust fumes. Sacred cows still roam the streets, as do holy men, beggars, street urchins and coolies.” – Rough Guide

Award-winning documentary photographer and Jack Picone will work in tandem with workshop partner Stephen Dupont, acclaimed photojournalist and filmmaker. Both Steve and Jack along with guest tutor Ed Giles will be there to critique and edit participants’ work one-on-one, and also take part in evening projections and discussions.

An introductory get-together will be held on the evening prior to the workshop’s formal start. Like any working documentary photographer, you will be given an assignment brief to interpret as you wish. (The brief will be announced prior to the workshop to give you time to research possible subjects before you arrive.)

The aim is to produce a documentary photo essay with a striking visual narrative, to be shown on the final evening of the workshop. Tutors will hold individual and group sessions to supervise and edit the assignments, and dialogue intensively on topics such as photographic composition, portraiture, basic camera techniques, how to research ideas and tell an original story, how to market a body of work, and how to hone your personal style. The workshop is very project based as opposed to technically driven.

The workshop’s schedule will be demanding but highly rewarding. Tutors and field assistants will be on hand constantly to help navigate any areas of difficulty and discuss all your photographic concerns. Interpreters can also be arranged where necessary.

Traditional Photo Essay and Multimedia

During the workshop participants will have an option to produce a completed photo essay within documentary tradition or in a more contemporary context-a multimedia. In both cases, tutors will be on hand to guide you through the respective process.

Cost: US$2,500. Includes all workshop sessions. A position can be secured for a US$500 deposit (non-refundable). Workshop cost does not include travel costs to Kathmandu and accommodation.

Application: The workshop is strictly limited to 16 participants. A $500 deposit will be required at the time of booking to secure a place. This is one of our most popular workshops so book early to avoid disappointment.

To receive further information or to request a registration form, please contact:

This workshop event is proudly sponsored by Fuji Australia.

Jack Picone

Stephen Dupont